Home /
Movies /
Only Lovers Left Alive
Only Lovers Left Alive cinematography — film frames and visual analysis
Explore 291 frames from Only Lovers Left Alive and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
291 frames
1.85:1
Mostly wide shots
Wide shot · High brightness · Light gray
Wide shot · Medium brightness · Dark teal
Wide shot · Medium brightness · Dark teal
Wide shot · Medium brightness · Dark teal
Wide shot · Medium brightness · Gray
Wide shot · Medium brightness · Dark gray
Medium brightness · Dark teal
Wide shot · High brightness · Gray
Wide shot · Medium brightness · Dark teal
Medium brightness · Gray
Medium brightness · Light gray
High brightness · Light gray
Medium brightness · Dark teal
High brightness · Gray
Wide shot · High brightness · Light gray
Wide shot · Low brightness · Black
Wide shot · Medium brightness · Dark teal
Medium brightness · Gray
Wide shot · Medium brightness · Dark blue
Medium brightness · Dark blue
Visual profile of Only Lovers Left Alive
This visual profile is calculated from 291 frames available in the WatchTheFrame collection.
Color palette of Only Lovers Left Alive
Lighting and tonal range
Brightness: lower than 96% of films in the collection
Dark Bright
Contrast: lower than 67% of films in the collection
Low High
The analysed frames are darker than most films in the WatchTheFrame collection. Saturated colors appear frequently in these frames.
Composition and shot characteristics
Explore the visual relationships
Similar by color
Visual tags in Only Lovers Left Alive
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 291 frames available for Only Lovers Left Alive in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.