Bullet to the Head cinematography — film frames and visual analysis

2012 · 800 frames · Directed by Walter Hill

Explore 800 frames from Bullet to the Head and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

800 frames 1.85:1 Mostly wide shots
Medium shot frame from Bullet to the Head — standing, street, car
Medium shot · Low brightness · Dark purple
Frame from Bullet to the Head — room, suit, tie
Low brightness · Dark orange
Wide shot frame from Bullet to the Head — standing, night, face
Wide shot · Low brightness · Black
Wide shot frame from Bullet to the Head — standing, shirt, hair
Wide shot · Medium brightness · Muted blue
Wide shot frame from Bullet to the Head — poster
Wide shot · Medium brightness · Dark gray
Frame from Bullet to the Head — glass, airplane, window
Medium brightness · Dark blue
Wide shot frame from Bullet to the Head — standing, room, hand
Wide shot · Low brightness · Dark orange
Wide shot frame from Bullet to the Head — walking, street, car
Wide shot · Low brightness · Dark blue
Wide shot frame from Bullet to the Head — face, hair, person
Wide shot · Low brightness · Black
Wide shot frame from Bullet to the Head — room, hand, face
Wide shot · Low brightness · Dark pink
Close-up frame from Bullet to the Head — shirt, face, hair
Close-up · High brightness · Orange
Medium shot frame from Bullet to the Head — water, window
Medium shot · Low brightness · Dark blue
Frame from Bullet to the Head — sitting, car, suit
Low brightness · Dark blue
Wide shot frame from Bullet to the Head — standing, room, face
Wide shot · Low brightness · Dark purple
Wide shot frame from Bullet to the Head — standing, room, beard
Wide shot · Medium brightness · Dark blue
Frame from Bullet to the Head — room, hat, shirt
Low brightness · Dark blue
Wide shot frame from Bullet to the Head — smoke, airplane
Wide shot · Medium brightness · Gray
Wide shot frame from Bullet to the Head — sitting, car, suit
Wide shot · Low brightness · Dark teal
Frame from Bullet to the Head — standing, room, door
Low brightness · Dark blue
Wide shot frame from Bullet to the Head — standing, room, table
Wide shot · Low brightness · Dark orange

Visual profile of Bullet to the Head

This visual profile is calculated from 800 frames available in the WatchTheFrame collection.

Lighting and tonal range

Brightness: lower than 91% of films in the collection
DarkBright
Contrast: lower than 61% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.
  • Saturated colors appear frequently in these frames.

About this collection

Metrics on this page are calculated from 800 frames available for Bullet to the Head in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.