John Wick: Chapter Two cinematography — film frames and visual analysis

2017 · 612 frames · Directed by Chad Stahelski

Explore 612 frames from John Wick: Chapter Two and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

612 frames 2.40:1 Mostly wide shots
Analyze a random frame Go to visual profile
Wide shot frame from John Wick: Chapter Two — sitting, book, dialogue
Open Analyze Find similar
Wide shot · Low brightness · Dark orange
Wide shot frame from John Wick: Chapter Two — standing, room, suit
Open Analyze Find similar
Wide shot · Low brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, room, hand
Open Analyze Find similar
Wide shot · Medium brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, room, table
Open Analyze Find similar
Wide shot · Medium brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — suit, tie, person
Open Analyze Find similar
Wide shot · Low brightness · Dark pink
Wide shot frame from John Wick: Chapter Two — standing, room, door
Open Analyze Find similar
Wide shot · Medium brightness · Muted blue
Wide shot frame from John Wick: Chapter Two — sitting, phone, door
Open Analyze Find similar
Wide shot · Medium brightness · Dark gray
Wide shot frame from John Wick: Chapter Two — standing, car, hand
Open Analyze Find similar
Wide shot · Low brightness · Dark green
Wide shot frame from John Wick: Chapter Two — hand, suit, tie
Open Analyze Find similar
Wide shot · Medium brightness · Dark gray
Wide shot frame from John Wick: Chapter Two — street, car, train
Open Analyze Find similar
Wide shot · Low brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, room, table
Open Analyze Find similar
Wide shot · Low brightness · Dark green
Medium shot frame from John Wick: Chapter Two — standing, suit, tie
Open Analyze Find similar
Medium shot · Low brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, room, door
Open Analyze Find similar
Wide shot · Low brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, table, suit
Open Analyze Find similar
Wide shot · Low brightness · Dark red
Wide shot frame from John Wick: Chapter Two — person, computer keyboard
Open Analyze Find similar
Wide shot · Low brightness · Dark orange
Frame from John Wick: Chapter Two — walking, street, car
Open Analyze Find similar
Low brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, suit, person
Open Analyze Find similar
Wide shot · Medium brightness · Dark purple
Wide shot frame from John Wick: Chapter Two — room, glass, person
Open Analyze Find similar
Wide shot · Medium brightness · Dark blue
Wide shot frame from John Wick: Chapter Two — standing, shirt, face
Open Analyze Find similar
Wide shot · Low brightness · Dark teal
Wide shot frame from John Wick: Chapter Two — sitting, standing, room
Open Analyze Find similar
Wide shot · Low brightness · Dark purple

Visual profile of John Wick: Chapter Two

This visual profile is calculated from 612 frames available in the WatchTheFrame collection.

Color palette of John Wick: Chapter Two

Dark blue 26.6% · 417 frames Dark gray 24.3% · 482 frames Gray 9.6% · 407 frames Dark orange 7.7% · 176 frames Dark teal 5.9% · 121 frames Black 5.5% · 159 frames Muted blue 4.2% · 166 frames Dark purple 3.4% · 75 frames Dark yellow 3.1% · 117 frames Dark green 2.7% · 63 frames Dark red 2.5% · 86 frames Dark pink 1.2% · 40 frames Light gray 1.1% · 138 frames Muted orange 0.6% · 48 frames

Lighting and tonal range

Brightness: lower than 77% of films in the collection
DarkBright
Contrast: lower than 63% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.

Composition and shot characteristics

Wide shot — 92% — 565 frames565Medium shot — 3% — 17 frames17

Explore the visual relationships

8 Mile (2002)
98% color similarity The King's Speech (2010)
98% color similarity Batman (1989)
98% color similarity Aliens (1986)
97% color similarity Star Trek III: The Search for Spock (1984)
97% color similarity War for the Planet of the Apes (2017)
96% color similarity Power Rangers (2017)
96% color similarity The Way Back (2020)
96% color similarity Blade Runner (1982)
96% color similarity La La Land (2016)
95% color similarity The Conjuring 2 (2016)
94% color similarity Tank Girl (1995)
93% color similarity Miss Peregrine's Home for Peculiar Children (2016)
93% color similarity The Instigators (2024)
93% color similarity Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
93% color similarity

Visual palette across 4 films directed by Chad Stahelski

2014 · John Wick
2019 · John Wick: Chapter 3 - Parabellum
2023 · John Wick: Chapter 4

Based on 4 films in the collection, these colors appear most frequently in frames from films directed by Chad Stahelski.

Films directed by Chad Stahelski

John Wick
529 frames
John Wick: Chapter 3 - Parabellum
602 frames
John Wick: Chapter 4
722 frames
Explore Chad Stahelski visual profile

Visual tags in John Wick: Chapter Two

violin cello taxi handgun box mirror statue sculpture skyscraper tower train weapon glass knife action people gun show night beard fountain suit car tire hug dog

Films with a similar visual profile

The King's Speech (2010)
97% match · 348 frames
Blade Runner (1982)
96% match · 287 frames
La La Land (2016)
96% match · 484 frames
Power Rangers (2017)
96% match · 744 frames
Batman (1989)
95% match · 496 frames
Star Trek III: The Search for Spock (1984)
95% match · 408 frames
Aliens (1986)
95% match · 926 frames
8 Mile (2002)
95% match · 623 frames
Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
95% match · 754 frames
War for the Planet of the Apes (2017)
94% match · 447 frames
The Conjuring 2 (2016)
94% match · 541 frames
Miss Peregrine's Home for Peculiar Children (2016)
94% match · 487 frames

About this collection

Metrics on this page are calculated from 612 frames available for John Wick: Chapter Two in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.