Only Lovers Left Alive cinematography — film frames and visual analysis

2013 · 291 frames · Directed by Jim Jarmusch

Explore 291 frames from Only Lovers Left Alive and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

291 frames 1.85:1 Mostly wide shots
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Frame from Only Lovers Left Alive — room, table, lamp
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Low brightness · Dark yellow
Wide shot frame from Only Lovers Left Alive — room, guitar, loudspeaker
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Wide shot · Low brightness · Dark yellow
Wide shot frame from Only Lovers Left Alive — suit, tie, beard
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Wide shot · Low brightness · Dark blue
Frame from Only Lovers Left Alive — standing, hair, guitar
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Medium brightness · Dark orange
Frame from Only Lovers Left Alive — street, car, night
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Low brightness · Dark yellow
Medium shot frame from Only Lovers Left Alive — person, human face, picture frame
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Medium shot · Low brightness · Dark blue
Wide shot frame from Only Lovers Left Alive — guitar, person
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Wide shot · Low brightness · Dark orange
Wide shot frame from Only Lovers Left Alive — standing, room, person
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Wide shot · Low brightness · Dark blue
Wide shot frame from Only Lovers Left Alive — standing, room, shirt
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Wide shot · Low brightness · Dark yellow
Wide shot frame from Only Lovers Left Alive — street, night, window
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Wide shot · Low brightness · Dark orange
Wide shot frame from Only Lovers Left Alive — street, night, person
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Wide shot · Low brightness · Black

Visual profile of Only Lovers Left Alive

This visual profile is calculated from 291 frames available in the WatchTheFrame collection.

Color palette of Only Lovers Left Alive

Dark blue 27.1% · 167 frames Dark orange 19.2% · 185 frames Dark teal 14% · 125 frames Black 9.9% · 111 frames Dark gray 8.5% · 156 frames Gray 5.7% · 82 frames Dark red 4.6% · 76 frames Muted orange 3.7% · 107 frames Dark green 1.7% · 21 frames Light gray 1.1% · 24 frames Orange 1.1% · 27 frames Dark yellow 1% · 11 frames Muted teal 0.6% · 20 frames Dark purple 0.5% · 4 frames

Lighting and tonal range

Brightness: lower than 96% of films in the collection
DarkBright
Contrast: lower than 67% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.
  • Saturated colors appear frequently in these frames.

Composition and shot characteristics

Wide shot — 78% — 226 frames226Medium shot — 6% — 16 frames16Close-up — 1% — 3 frames3

Explore the visual relationships

Blade II (2002)
94% color similarity John Wick: Chapter 4 (2023)
93% color similarity Jack Reacher (2012)
92% color similarity Battle of the Sexes (2017)
91% color similarity Bullet to the Head (2012)
89% color similarity Striptease (1996)
89% color similarity The Color of Money (1986)
89% color similarity The Conjuring 2 (2016)
89% color similarity Batman Returns (1992)
88% color similarity Alita: Battle Angel (2019)
88% color similarity Blade Runner (1982)
87% color similarity Batman Forever (1995)
87% color similarity Batman (1989)
84% color similarity John Wick: Chapter Two (2017)
83% color similarity The Ring Two (2005)
81% color similarity

Visual tags in Only Lovers Left Alive

loudspeaker guitar drum home appliance microphone street light studio couch palm tree subject couch lamp show television drinking straw clock action picture frame desk bed night airplane room coat bottle

Films with a similar visual profile

Bullet to the Head (2012)
93% match · 800 frames
John Wick: Chapter 4 (2023)
93% match · 722 frames
Batman Returns (1992)
92% match · 449 frames
Blade Runner (1982)
91% match · 287 frames
Blade II (2002)
90% match · 1083 frames
The Color of Money (1986)
90% match · 561 frames
Batman Forever (1995)
90% match · 979 frames
The Ring Two (2005)
89% match · 556 frames
Striptease (1996)
89% match · 393 frames
Jack Reacher (2012)
89% match · 523 frames
The Conjuring 2 (2016)
88% match · 541 frames
Alita: Battle Angel (2019)
88% match · 570 frames

About this collection

Metrics on this page are calculated from 291 frames available for Only Lovers Left Alive in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.