Hotel Artemis cinematography — film frames and visual analysis

2018 · 319 frames · Directed by Drew Pearce

Explore 319 frames from Hotel Artemis and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

319 frames 2.40:1 Mostly wide shots
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Wide shot frame from Hotel Artemis — sitting, room, bed
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Wide shot · Medium brightness · Dark teal
Frame from Hotel Artemis — standing, room, uniform
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Low brightness · Dark green
Wide shot frame from Hotel Artemis — standing, room, bed
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Wide shot · Low brightness · Black
Wide shot frame from Hotel Artemis — standing, room, face
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Wide shot · Medium brightness · Dark green
Wide shot frame from Hotel Artemis — standing, room, table
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Wide shot · Medium brightness · Dark yellow
Medium shot frame from Hotel Artemis — sitting, room, chair
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Medium shot · Medium brightness · Dark teal
Wide shot frame from Hotel Artemis — curtain
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Wide shot · Medium brightness · Muted blue
Medium shot frame from Hotel Artemis — hand, night, shirt
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Medium shot · Low brightness · Dark yellow
Wide shot frame from Hotel Artemis — standing, room, bed
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Wide shot · Low brightness · Dark orange
Wide shot frame from Hotel Artemis — sitting, bed, shirt
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Wide shot · Medium brightness · Dark teal
Medium shot frame from Hotel Artemis — sitting, bed, face
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Medium shot · Low brightness · Dark teal
Wide shot frame from Hotel Artemis — sitting, room, table
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Wide shot · Low brightness · Black
Wide shot frame from Hotel Artemis — standing, room, coat
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Wide shot · Medium brightness · Black
Wide shot frame from Hotel Artemis — standing, street, car
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Wide shot · Medium brightness · Dark teal
Wide shot frame from Hotel Artemis — sitting, room, bed
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Wide shot · Medium brightness · Dark teal

Visual profile of Hotel Artemis

This visual profile is calculated from 319 frames available in the WatchTheFrame collection.

Color palette of Hotel Artemis

Dark orange 28.7% · 216 frames Dark yellow 18.5% · 144 frames Dark green 17.2% · 112 frames Dark gray 7.5% · 102 frames Black 7.1% · 70 frames Dark teal 5.2% · 53 frames Dark blue 4.4% · 41 frames Gray 2.6% · 67 frames Muted teal 2% · 47 frames Dark red 2% · 37 frames Muted orange 1.4% · 38 frames Muted blue 0.7% · 15 frames Orange 0.6% · 20 frames Muted yellow 0.4% · 19 frames

Lighting and tonal range

Brightness: lower than 98% of films in the collection
DarkBright
Contrast: lower than 82% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.
  • Saturated colors appear frequently in these frames.
  • These frames contain a relatively high share of low-contrast images.

Composition and shot characteristics

Wide shot — 71% — 228 frames228Medium shot — 9% — 30 frames30Close-up — 1% — 2 frames2

Explore the visual relationships

Gosford Park (2001)
92% color similarity Jack the Giant Slayer (2013)
92% color similarity The Assassination of Jesse James by the Coward Robert Ford (2007)
90% color similarity One Night in Miami (2020)
90% color similarity Jusan-nin no shikaku (2010)
89% color similarity The Conjuring: The Devil Made Me Do It (2021)
88% color similarity The Godfather: Part II (1974)
87% color similarity The Holiday (2006)
87% color similarity Constantine (2005)
86% color similarity A Series of Unfortunate Events (2004)
86% color similarity The Conjuring (2013)
85% color similarity Gangs of New York (2002)
83% color similarity Jungle Cruise (2021)
82% color similarity Kyôfu kikei ningen: Edogawa Rampo zenshû (1969)
81% color similarity The Limey (1999)
81% color similarity

Visual tags in Hotel Artemis

digital clock penguin lampshade door handle bed street light lamp human mouth skyscraper curtain fire human head phone door tower night bottle mustache bedroom coat room clock human eye human hand

Films with a similar visual profile

Gosford Park (2001)
93% match · 400 frames
One Night in Miami (2020)
91% match · 272 frames
The Conjuring: The Devil Made Me Do It (2021)
91% match · 484 frames
The Holiday (2006)
90% match · 687 frames
Constantine (2005)
89% match · 402 frames
The Godfather: Part II (1974)
88% match · 578 frames
Jusan-nin no shikaku (2010)
87% match · 1041 frames
Jungle Cruise (2021)
86% match · 572 frames
A Series of Unfortunate Events (2004)
85% match · 421 frames
The Limey (1999)
85% match · 353 frames
The Conjuring (2013)
85% match · 531 frames
Kyôfu kikei ningen: Edogawa Rampo zenshû (1969)
84% match · 554 frames

About this collection

Metrics on this page are calculated from 319 frames available for Hotel Artemis in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.