The Godfather: Part II cinematography — film frames and visual analysis

1974 · 578 frames · Directed by Francis Ford Coppola

Explore 578 frames from The Godfather: Part II and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

578 frames 1.85:1 Mostly wide shots
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Wide shot frame from The Godfather: Part II — sitting, standing, room
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Wide shot · Medium brightness · Dark orange
Wide shot frame from The Godfather: Part II — sitting, standing, dialogue
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Wide shot · Medium brightness · Dark orange
Wide shot frame from The Godfather: Part II — sitting, standing, water
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Wide shot · Medium brightness · Dark orange
Wide shot frame from The Godfather: Part II — sitting, room, table
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Wide shot · Medium brightness · Dark orange
Wide shot frame from The Godfather: Part II — walking, suit, tie
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Wide shot · Medium brightness · Gray
Wide shot frame from The Godfather: Part II — room, table, food
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Wide shot · Low brightness · Dark green
Wide shot frame from The Godfather: Part II — sitting, standing, street
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Wide shot · Low brightness · Dark orange
Wide shot frame from The Godfather: Part II — building
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Wide shot · Medium brightness · Dark gray
Wide shot frame from The Godfather: Part II — room, person, human face
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Wide shot · Low brightness · Dark green
Wide shot frame from The Godfather: Part II — sitting, table, hand
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Wide shot · Low brightness · Black
Wide shot frame from The Godfather: Part II — street, hand, shirt
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Wide shot · Medium brightness · Black
Medium shot frame from The Godfather: Part II — room, suit, tie
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Medium shot · Medium brightness · Dark orange
Wide shot frame from The Godfather: Part II — standing, suit, tie
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Wide shot · Medium brightness · Gray
Wide shot frame from The Godfather: Part II — sitting, standing, room
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Wide shot · Low brightness · Black
Wide shot frame from The Godfather: Part II — standing, hat, hand
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Wide shot · Medium brightness · Dark orange
Wide shot frame from The Godfather: Part II — standing, room, dialogue
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Wide shot · Low brightness · Dark orange
Wide shot frame from The Godfather: Part II — sitting, standing, dialogue
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Wide shot · Medium brightness · Dark yellow
Wide shot frame from The Godfather: Part II — room, hat, uniform
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Wide shot · Low brightness · Black
Wide shot frame from The Godfather: Part II — sitting, standing, dialogue
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Wide shot · Medium brightness · Dark gray
Wide shot frame from The Godfather: Part II — standing, room, table
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Wide shot · Low brightness · Dark green

Visual profile of The Godfather: Part II

This visual profile is calculated from 578 frames available in the WatchTheFrame collection.

Color palette of The Godfather: Part II

Dark orange 38.4% · 495 frames Gray 14.5% · 443 frames Dark gray 13.6% · 353 frames Black 8% · 165 frames Dark yellow 7.9% · 148 frames Dark green 7.3% · 109 frames Muted orange 4.3% · 210 frames Dark teal 2.3% · 27 frames Dark blue 1.4% · 18 frames Dark red 1.2% · 38 frames Light gray 0.5% · 46 frames Dark purple 0.3% · 4 frames Muted yellow 0.2% · 11 frames Muted blue 0.1% · 5 frames

Lighting and tonal range

Brightness: lower than 80% of films in the collection
DarkBright
Contrast: lower than 69% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.

Composition and shot characteristics

Wide shot — 94% — 543 frames543Medium shot — 4% — 25 frames25Close-up — 1% — 3 frames3

Explore the visual relationships

One Night in Miami (2020)
97% color similarity The Conjuring (2013)
96% color similarity Jusan-nin no shikaku (2010)
95% color similarity Gosford Park (2001)
94% color similarity A Series of Unfortunate Events (2004)
94% color similarity Constantine (2005)
92% color similarity Anaconda (1997)
92% color similarity Mad Max: Fury Road (2015)
92% color similarity The Conjuring: The Devil Made Me Do It (2021)
91% color similarity A Few Good Men (1992)
91% color similarity The Holiday (2006)
90% color similarity Batman Begins (2005)
89% color similarity The Night Before (2015)
88% color similarity The Limey (1999)
88% color similarity Dial M for Murder (1954)
87% color similarity

Visual palette across 2 films directed by Francis Ford Coppola

2024 · Megalopolis

Films directed by Francis Ford Coppola

Megalopolis
507 frames
Explore Francis Ford Coppola visual profile

Visual tags in The Godfather: Part II

hug window blind sea tableware couch tie houseplant curtain suit fancy dress table cigarette chair bedroom food palm tree lamp mustache sitting glass dress dialogue plate water

Films with a similar visual profile

Constantine (2005)
95% match · 402 frames
The Conjuring (2013)
95% match · 531 frames
One Night in Miami (2020)
94% match · 272 frames
Gosford Park (2001)
94% match · 400 frames
The Conjuring: The Devil Made Me Do It (2021)
93% match · 484 frames
A Series of Unfortunate Events (2004)
93% match · 421 frames
A Few Good Men (1992)
93% match · 388 frames
Jusan-nin no shikaku (2010)
93% match · 1041 frames
Batman Begins (2005)
93% match · 551 frames
The Limey (1999)
92% match · 353 frames
The Night Before (2015)
92% match · 607 frames
Dial M for Murder (1954)
92% match · 241 frames

About this collection

Metrics on this page are calculated from 578 frames available for The Godfather: Part II in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.