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The Assassination of Jesse James by the Coward Robert Ford
The Assassination of Jesse James by the Coward Robert Ford cinematography — film frames and visual analysis
Explore 484 frames from The Assassination of Jesse James by the Coward Robert Ford and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
484 frames
2.40:1
Mostly wide shots
Wide shot · Medium brightness · Dark green
Wide shot · High brightness · Muted green
Wide shot · Medium brightness · Dark yellow
Wide shot · Medium brightness · Gray
Wide shot · Medium brightness · Dark green
Wide shot · Low brightness · Dark green
Wide shot · Medium brightness · Dark green
Wide shot · Low brightness · Dark yellow
Medium brightness · Dark yellow
Wide shot · Low brightness · Dark green
Wide shot · Low brightness · Black
Medium brightness · Dark green
Medium brightness · Dark orange
Low brightness · Dark green
Medium brightness · Dark orange
Wide shot · Medium brightness · Dark green
Wide shot · Low brightness · Dark orange
Wide shot · Medium brightness · Muted orange
Wide shot · Low brightness · Dark orange
Wide shot · Medium brightness · Dark orange
Visual profile of The Assassination of Jesse James by the Coward Robert Ford
This visual profile is calculated from 484 frames available in the WatchTheFrame collection.
Color palette of The Assassination of Jesse James by the Coward Robert Ford
Lighting and tonal range
Brightness: higher than 70% of films in the collection
Dark Bright
Contrast: higher than 95% of films in the collection
Low High
Saturated colors appear frequently in these frames. These frames contain a relatively high share of high-contrast images.
Composition and shot characteristics
Explore the visual relationships
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Visual tags in The Assassination of Jesse James by the Coward Robert Ford
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Brightness
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About this collection
Metrics on this page are calculated from 484 frames available for The Assassination of Jesse James by the Coward Robert Ford in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.