To All the Boys I've Loved Before cinematography — film frames and visual analysis

2017 · 308 frames · Directed by Susan Johnson

Explore 308 frames from To All the Boys I've Loved Before and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

308 frames 2.39:1 Mostly wide shots
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Wide shot frame from To All the Boys I've Loved Before — standing, dialogue, door
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Wide shot · Medium brightness · Dark gray
Wide shot frame from To All the Boys I've Loved Before — room, chair, person
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Wide shot · Medium brightness · Dark orange
Wide shot frame from To All the Boys I've Loved Before — standing, door, shirt
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Wide shot · High brightness · Orange
Wide shot frame from To All the Boys I've Loved Before — sitting, book, table
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Wide shot · Medium brightness · Dark red
Wide shot frame from To All the Boys I've Loved Before — standing, room, hand
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Wide shot · Medium brightness · Dark teal
Wide shot frame from To All the Boys I've Loved Before — sitting, table, dialogue
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Wide shot · Medium brightness · Dark teal
Wide shot frame from To All the Boys I've Loved Before — sitting, room, dialogue
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Wide shot · Medium brightness · Dark teal
Wide shot frame from To All the Boys I've Loved Before — sitting, standing, walking
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Wide shot · Medium brightness · Muted orange
Wide shot frame from To All the Boys I've Loved Before — sitting, book, table
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Wide shot · Medium brightness · Dark green
Wide shot frame from To All the Boys I've Loved Before — sitting, dialogue, bus
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Wide shot · Medium brightness · Dark teal
Wide shot frame from To All the Boys I've Loved Before — hair, person, running
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Wide shot · High brightness · Muted orange
Medium shot frame from To All the Boys I've Loved Before — sitting, standing, room
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Medium shot · Medium brightness · Dark teal
Frame from To All the Boys I've Loved Before — standing, room, hand
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High brightness · Muted orange
Wide shot frame from To All the Boys I've Loved Before — standing, kitchen, person
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Wide shot · Medium brightness · Dark green
Wide shot frame from To All the Boys I've Loved Before — standing, walking, room
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Wide shot · High brightness · Muted orange
Wide shot frame from To All the Boys I've Loved Before — sitting, room, couch
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Wide shot · Medium brightness · Dark teal
Wide shot frame from To All the Boys I've Loved Before — standing, tie, water
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Wide shot · Medium brightness · Dark teal
Medium shot frame from To All the Boys I've Loved Before — sitting, plate, room
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Medium shot · Medium brightness · Dark green
Wide shot frame from To All the Boys I've Loved Before — street, car, land vehicle
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Wide shot · Medium brightness · Dark teal
Wide shot frame from To All the Boys I've Loved Before — sitting, standing, bus
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Wide shot · Medium brightness · Dark teal

Visual profile of To All the Boys I've Loved Before

This visual profile is calculated from 308 frames available in the WatchTheFrame collection.

Color palette of To All the Boys I've Loved Before

Dark green 22.9% · 281 frames Dark teal 22.1% · 263 frames Muted orange 13.7% · 247 frames Gray 9.9% · 211 frames Dark orange 8.2% · 214 frames Dark yellow 4.4% · 147 frames Orange 4.1% · 156 frames Dark gray 3.7% · 149 frames Muted yellow 3.4% · 123 frames Muted teal 1.4% · 63 frames Yellow 1.4% · 45 frames Dark red 1.1% · 60 frames Muted green 0.9% · 52 frames Light orange 0.9% · 50 frames

Lighting and tonal range

Brightness: higher than 76% of films in the collection
DarkBright
Contrast: higher than 71% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.
  • Saturated colors appear frequently in these frames.

Composition and shot characteristics

Wide shot — 87% — 267 frames267Medium shot — 5% — 15 frames15

Explore the visual relationships

The Age of Adaline (2015)
90% color similarity Children of Men (2006)
89% color similarity About Time (2013)
83% color similarity Super 8 (2011)
81% color similarity A Cure for Wellness (2017)
77% color similarity Kyôfu kikei ningen: Edogawa Rampo zenshû (1969)
77% color similarity Eighth Grade (2018)
77% color similarity Lahn Mah (2024)
77% color similarity Zodiac (2007)
77% color similarity Busanhaeng (2016)
76% color similarity The Assassination of Jesse James by the Coward Robert Ford (2007)
76% color similarity Lucky Number Slevin (2005)
74% color similarity The Kings of Summer (2013)
74% color similarity The King of Staten Island (2020)
74% color similarity Blade (1998)
73% color similarity

Visual tags in To All the Boys I've Loved Before

necklace bench backpack laptop drawer countertop cabinetry sink handbag christmas tree houseplant bookcase hug poster stairs bus bedroom house kitchen studio couch bicycle food drinking straw flower

Films with a similar visual profile

The Age of Adaline (2015)
90% match · 422 frames
Children of Men (2006)
89% match · 508 frames
About Time (2013)
87% match · 452 frames
Super 8 (2011)
85% match · 612 frames
Eighth Grade (2018)
85% match · 223 frames
Zodiac (2007)
85% match · 425 frames
Blade (1998)
85% match · 1001 frames
Lahn Mah (2024)
85% match · 259 frames
Kyôfu kikei ningen: Edogawa Rampo zenshû (1969)
84% match · 554 frames
A Cure for Wellness (2017)
84% match · 529 frames
The Assassination of Jesse James by the Coward Robert Ford (2007)
84% match · 484 frames
The King of Staten Island (2020)
83% match · 495 frames

About this collection

Metrics on this page are calculated from 308 frames available for To All the Boys I've Loved Before in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.