The Bourne Identity cinematography — film frames and visual analysis

2002 · 647 frames · Directed by Doug Liman

Explore 647 frames from The Bourne Identity and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

647 frames 2.35:1 Mostly wide shots
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Wide shot frame from The Bourne Identity — animal, street, night
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Wide shot · Low brightness · Dark teal
Wide shot frame from The Bourne Identity — street, night, land vehicle
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Wide shot · Low brightness · Dark green
Wide shot frame from The Bourne Identity — animal, water
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Wide shot · Medium brightness · Dark gray
Wide shot frame from The Bourne Identity — standing, street, car
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Wide shot · Low brightness · Dark blue
Medium shot frame from The Bourne Identity — room, dialogue, suit
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Medium shot · Low brightness · Black
Wide shot frame from The Bourne Identity — phone, office, computer keyboard
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Wide shot · Medium brightness · Black
Wide shot frame from The Bourne Identity — walking, street, coat
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Wide shot · Low brightness · Dark teal

Visual profile of The Bourne Identity

This visual profile is calculated from 647 frames available in the WatchTheFrame collection.

Color palette of The Bourne Identity

Dark gray 46.7% · 630 frames Gray 18.6% · 535 frames Black 14.3% · 452 frames Dark yellow 5.9% · 141 frames Dark blue 5.9% · 212 frames Dark orange 3.5% · 114 frames Dark green 2% · 56 frames Dark teal 1.7% · 61 frames Dark red 0.8% · 23 frames Muted blue 0.3% · 31 frames Muted orange 0% · 3 frames Muted yellow 0% · 6 frames Dark pink 0% · 1 frames Dark purple 0% · 3 frames

Lighting and tonal range

Brightness: lower than 78% of films in the collection
DarkBright
Contrast: lower than 84% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.
  • Muted and low-saturation colors appear frequently in these frames.
  • These frames contain a relatively high share of low-contrast images.

Composition and shot characteristics

Wide shot — 92% — 597 frames597Medium shot — 4% — 26 frames26

Explore the visual relationships

Twelve Monkeys (1995)
98% color similarity Fatal Attraction (1987)
98% color similarity Mortal Engines (2018)
98% color similarity West Side Story (2021)
98% color similarity First Reformed (2017)
97% color similarity Everything Everywhere All at Once (2021)
97% color similarity The Hunger Games: Mockingjay - Part 1 (2014)
97% color similarity The King's Man (2021)
97% color similarity Sherlock Holmes (2009)
97% color similarity Iron Man (2008)
96% color similarity Harry Potter and the Deathly Hallows - Part 1 (2010)
96% color similarity Killers of the Flower Moon (2023)
96% color similarity Blade Runner 2049 (2017)
95% color similarity Black Panther (2018)
95% color similarity The Hunger Games (2012)
94% color similarity

Visual palette across 2 films directed by Doug Liman

2024 · The Instigators

Films directed by Doug Liman

The Instigators
760 frames
Explore Doug Liman visual profile

Visual tags in The Bourne Identity

mechanical fan van snow computer monitor computer keyboard scoreboard handgun office motorcycle sea rain bag building christmas tree street taxi tower wheel human hand car clock phone car tire plate

Films with a similar visual profile

Mortal Engines (2018)
98% match · 1044 frames
Everything Everywhere All at Once (2021)
97% match · 621 frames
Fatal Attraction (1987)
97% match · 561 frames
West Side Story (2021)
97% match · 802 frames
Twelve Monkeys (1995)
97% match · 429 frames
First Reformed (2017)
97% match · 163 frames
Harry Potter and the Deathly Hallows - Part 1 (2010)
97% match · 489 frames
The King's Man (2021)
97% match · 638 frames
Killers of the Flower Moon (2023)
97% match · 685 frames
Sherlock Holmes (2009)
96% match · 554 frames
The Hunger Games: Mockingjay - Part 1 (2014)
96% match · 465 frames
Blade Runner 2049 (2017)
96% match · 488 frames

About this collection

Metrics on this page are calculated from 647 frames available for The Bourne Identity in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.