Home /
Movies /
The Bourne Identity
The Bourne Identity cinematography — film frames and visual analysis
Explore 647 frames from The Bourne Identity and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
647 frames
2.35:1
Mostly wide shots
Wide shot · Medium brightness · Dark gray
Wide shot · Low brightness · Black
Wide shot · Medium brightness · Dark gray
Wide shot · Medium brightness · Dark teal
Wide shot · Low brightness · Dark gray
Wide shot · Medium brightness · Dark gray
Wide shot · Low brightness · Dark red
Wide shot · Medium brightness · Dark gray
Wide shot · Medium brightness · Dark gray
Wide shot · Low brightness · Black
Wide shot · Low brightness · Dark orange
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Dark gray
Wide shot · Medium brightness · Gray
Wide shot · Medium brightness · Gray
Wide shot · Medium brightness · Gray
Wide shot · Low brightness · Dark yellow
Wide shot · Medium brightness · Dark orange
Low brightness · Black
Wide shot · Medium brightness · Dark gray
Visual profile of The Bourne Identity
This visual profile is calculated from 647 frames available in the WatchTheFrame collection.
Color palette of The Bourne Identity
Lighting and tonal range
Brightness: lower than 78% of films in the collection
Dark Bright
Contrast: lower than 84% of films in the collection
Low High
The analysed frames are darker than most films in the WatchTheFrame collection. Muted and low-saturation colors appear frequently in these frames. These frames contain a relatively high share of low-contrast images.
Composition and shot characteristics
Explore the visual relationships
Similar by color Director
Visual palette across 2 films directed by Doug Liman
Visual tags in The Bourne Identity
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 647 frames available for The Bourne Identity in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.