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John Wick: Chapter Two
John Wick: Chapter Two cinematography — film frames and visual analysis
Explore 612 frames from John Wick: Chapter Two and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
612 frames
2.40:1
Mostly wide shots
Wide shot · Medium brightness · Gray
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Dark gray
Wide shot · Low brightness · Dark blue
Wide shot · Low brightness · Dark blue
Wide shot · Low brightness · Dark blue
Wide shot · Low brightness · Black
Wide shot · Medium brightness · Dark purple
Wide shot · Medium brightness · Black
Low brightness · Black
Wide shot · Medium brightness · Dark gray
Wide shot · Medium brightness · Dark pink
Low brightness · Dark blue
Wide shot · Low brightness · Dark blue
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Dark gray
Wide shot · Low brightness · Dark blue
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Light gray
Visual profile of John Wick: Chapter Two
This visual profile is calculated from 612 frames available in the WatchTheFrame collection.
Color palette of John Wick: Chapter Two
Lighting and tonal range
Brightness: lower than 77% of films in the collection
Dark Bright
Contrast: lower than 63% of films in the collection
Low High
The analysed frames are darker than most films in the WatchTheFrame collection.
Composition and shot characteristics
Explore the visual relationships
Similar by color Director
Visual palette across 4 films directed by Chad Stahelski
Based on 4 films in the collection, these colors appear most frequently in frames from films directed by Chad Stahelski.
Visual tags in John Wick: Chapter Two
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 612 frames available for John Wick: Chapter Two in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.