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The Last King of Scotland
The Last King of Scotland cinematography — film frames and visual analysis
Explore 558 frames from The Last King of Scotland and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
558 frames
2.36:1
Mostly wide shots
Wide shot · High brightness · Orange
Wide shot · Medium brightness · Dark red
Medium shot · Medium brightness · Dark teal
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Dark teal
Wide shot · Medium brightness · Black
Wide shot · High brightness · Dark orange
Medium brightness · Dark orange
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Dark blue
High brightness · Gray
Close-up · Medium brightness · Dark blue
Wide shot · High brightness · Dark orange
Wide shot · Medium brightness · Dark red
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Black
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Dark red
Visual profile of The Last King of Scotland
This visual profile is calculated from 558 frames available in the WatchTheFrame collection.
Color palette of The Last King of Scotland
Lighting and tonal range
Brightness: higher than 93% of films in the collection
Dark Bright
Contrast: higher than 98% of films in the collection
Low High
The analysed frames are brighter than most films in the WatchTheFrame collection. Saturated colors appear frequently in these frames. These frames contain a relatively high share of high-contrast images.
Composition and shot characteristics
Explore the visual relationships
Similar by color
Visual tags in The Last King of Scotland
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 558 frames available for The Last King of Scotland in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.