The Hangover cinematography — film frames and visual analysis

2009 · 354 frames · Directed by Todd Phillips

Explore 354 frames from The Hangover and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

354 frames 2.40:1 Mostly wide shots
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Medium shot frame from The Hangover — sitting, dialogue, car
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Medium shot · High brightness · White
Medium shot frame from The Hangover — sitting, car, hand
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Medium shot · High brightness · Light gray
Medium shot frame from The Hangover — standing, table, suit
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Medium shot · Medium brightness · Black
Medium shot frame from The Hangover — standing, room, table
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Medium shot · Medium brightness · Dark teal
Medium shot frame from The Hangover — sitting, car, shirt
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Medium shot · High brightness · Light yellow
Medium shot frame from The Hangover — room, face, hair
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Medium shot · Medium brightness · Light teal
Medium shot frame from The Hangover — sitting, car, shirt
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Medium shot · High brightness · Light green

Visual profile of The Hangover

This visual profile is calculated from 354 frames available in the WatchTheFrame collection.

Color palette of The Hangover

Gray 14.6% · 294 frames Dark orange 12.3% · 246 frames Dark blue 11.3% · 168 frames Dark gray 10% · 263 frames Dark teal 8.7% · 149 frames Black 6.9% · 164 frames Muted teal 6.8% · 131 frames Muted orange 6.1% · 187 frames Light gray 6% · 197 frames Muted blue 3.4% · 103 frames Dark red 2.5% · 72 frames Dark yellow 2.1% · 59 frames Light teal 1.8% · 48 frames Dark green 1.4% · 30 frames

Lighting and tonal range

Brightness: higher than 85% of films in the collection
DarkBright
Contrast: higher than 97% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.
  • These frames contain a relatively high share of high-contrast images.

Composition and shot characteristics

Wide shot — 92% — 327 frames327Medium shot — 2% — 7 frames7Close-up — 0% — 1 frames1

Explore the visual relationships

101 Dalmatians (1996)
92% color similarity Stranger Things (2016)
92% color similarity Kak menya zovut (2014)
92% color similarity Men in Black International (2019)
91% color similarity Battle of the Sexes (2017)
91% color similarity The Fault in Our Stars (2014)
91% color similarity You've Got Mail (1998)
91% color similarity Lethal Weapon (1987)
91% color similarity Men in Black II (2002)
90% color similarity Need for Speed (2014)
88% color similarity Analyze That (2002)
88% color similarity Men in Black 3 (2012)
88% color similarity There Will Be Blood (2007)
86% color similarity The Wrestler (2008)
86% color similarity Anchorman: The Legend of Ron Burgundy (2004)
84% color similarity

Visual palette across 4 films directed by Todd Phillips

2011 · The Hangover Part II
2019 · Joker
2024 · Joker: Folie à Deux

Based on 4 films in the collection, these colors appear most frequently in frames from films directed by Todd Phillips.

Films directed by Todd Phillips

The Hangover Part II
511 frames
Joker
439 frames
Joker: Folie à Deux
377 frames
Explore Todd Phillips visual profile

Visual tags in The Hangover

traffic sign drink swimwear guitar tower countertop skyscraper studio couch glasses drinking straw flower beard restaurant car wheel taxi cup phone shirt truck glass plate fancy dress street

Films with a similar visual profile

Men in Black International (2019)
94% match · 621 frames
You've Got Mail (1998)
93% match · 477 frames
Kak menya zovut (2014)
92% match · 363 frames
The Fault in Our Stars (2014)
92% match · 592 frames
Men in Black 3 (2012)
92% match · 544 frames
101 Dalmatians (1996)
91% match · 564 frames
Need for Speed (2014)
91% match · 693 frames
Stranger Things (2016)
91% match · 2181 frames
Battle of the Sexes (2017)
90% match · 702 frames
Men in Black II (2002)
90% match · 486 frames
Lethal Weapon (1987)
90% match · 766 frames
There Will Be Blood (2007)
90% match · 469 frames

About this collection

Metrics on this page are calculated from 354 frames available for The Hangover in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.