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The Forty-Year-Old Version
The Forty-Year-Old Version cinematography — film frames and visual analysis
Explore 455 frames from The Forty-Year-Old Version and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
455 frames
2.39:1
Mostly wide shots
Wide shot · Medium brightness · Black
Medium shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Black
Wide shot · High brightness · Gray
Wide shot · High brightness · Light gray
Wide shot · High brightness · Light gray
Wide shot · Medium brightness · Black
Medium brightness · Black
Wide shot · Medium brightness · Gray
Wide shot · High brightness · Gray
Wide shot · High brightness · Gray
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Dark blue
Wide shot · High brightness · White
Wide shot · Medium brightness · Gray
Wide shot · High brightness · Gray
Wide shot · Medium brightness · Dark gray
Wide shot · High brightness · Light gray
Wide shot · Medium brightness · Gray
Visual profile of The Forty-Year-Old Version
This visual profile is calculated from 455 frames available in the WatchTheFrame collection.
Color palette of The Forty-Year-Old Version
Lighting and tonal range
Brightness: higher than 90% of films in the collection
Dark Bright
Contrast: higher than 89% of films in the collection
Low High
The analysed frames are brighter than most films in the WatchTheFrame collection. Muted and low-saturation colors appear frequently in these frames. These frames contain a relatively high share of high-contrast images.
Composition and shot characteristics
Explore the visual relationships
Similar by color
Visual tags in The Forty-Year-Old Version
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 455 frames available for The Forty-Year-Old Version in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.