The Conjuring cinematography — film frames and visual analysis

2013 · 531 frames · Directed by James Wan

Explore 531 frames from The Conjuring and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

531 frames 2.40:1 Mostly wide shots
Wide shot frame from The Conjuring — standing, hand, dress
Wide shot · High brightness · Light teal
Wide shot frame from The Conjuring — standing, room, bed
Wide shot · Low brightness · Black
Wide shot frame from The Conjuring — standing, room, dialogue
Wide shot · Medium brightness · Dark red
Frame from The Conjuring — standing, door, hand
Medium brightness · Dark orange
Frame from The Conjuring — face, hair, person
Medium brightness · Dark red
Wide shot frame from The Conjuring — standing, walking, room
Wide shot · High brightness · Muted blue
Wide shot frame from The Conjuring — sitting, room, table
Wide shot · Low brightness · Black
Medium shot frame from The Conjuring — standing, room, suit
Medium shot · Medium brightness · Dark gray
Frame from The Conjuring — house, lamp, curtain
Medium brightness · Black
Wide shot frame from The Conjuring — standing, water, hug
Wide shot · High brightness · Light teal
Frame from The Conjuring — room, table, house
Medium brightness · Dark yellow
Wide shot frame from The Conjuring — sitting, room, dialogue
Wide shot · Low brightness · Black
Wide shot frame from The Conjuring — water, boat
Wide shot · Medium brightness · Black
Wide shot frame from The Conjuring — suit, tie, mustache
Wide shot · Medium brightness · Dark gray

Visual profile of The Conjuring

This visual profile is calculated from 531 frames available in the WatchTheFrame collection.

Lighting and tonal range

Brightness: lower than 67% of films in the collection
DarkBright
Contrast: higher than 54% of films in the collection
LowHigh

About this collection

Metrics on this page are calculated from 531 frames available for The Conjuring in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.