The Accused cinematography — film frames and visual analysis

1988 · 506 frames · Directed by Jonathan Kaplan

Explore 506 frames from The Accused and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

506 frames 1.78:1 Mostly wide shots
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Medium shot frame from The Accused — sitting, standing, room
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Medium shot · Medium brightness · Dark orange
Medium shot frame from The Accused — suit, tie, mustache
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Medium shot · Medium brightness · Dark red
Medium shot frame from The Accused — sitting, car, face
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Medium shot · Medium brightness · Dark red
Medium shot frame from The Accused — sitting, standing, suit
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Medium shot · Medium brightness · Dark red
Medium shot frame from The Accused — sitting, room, dialogue
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Medium shot · Medium brightness · Dark red
Medium shot frame from The Accused — sitting, room, shirt
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Medium shot · High brightness · Gray
Medium shot frame from The Accused — sitting, table, hand
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Medium shot · Low brightness · Dark pink
Medium shot frame from The Accused — sitting, standing, room
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Medium shot · Medium brightness · Dark red
Medium shot frame from The Accused — sitting, standing, room
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Medium shot · Low brightness · Black
Medium shot frame from The Accused — standing, room, table
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Medium shot · Medium brightness · Dark gray
Medium shot frame from The Accused — standing, room, shirt
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Medium shot · Low brightness · Dark blue

Visual profile of The Accused

This visual profile is calculated from 506 frames available in the WatchTheFrame collection.

Color palette of The Accused

Gray 25.3% · 460 frames Dark gray 20.9% · 462 frames Dark red 15.8% · 367 frames Dark orange 9.9% · 246 frames Black 4.7% · 188 frames Dark blue 4.5% · 151 frames Muted blue 3.4% · 150 frames Dark green 2.4% · 60 frames Light gray 1.9% · 162 frames Muted red 1.9% · 143 frames Dark yellow 1.6% · 47 frames Muted orange 1.5% · 110 frames Light blue 1.2% · 71 frames Dark pink 1% · 38 frames

Lighting and tonal range

Brightness: higher than 70% of films in the collection
DarkBright
Contrast: higher than 63% of films in the collection
LowHigh

Composition and shot characteristics

Wide shot — 86% — 433 frames433Medium shot — 2% — 11 frames11Close-up — 0% — 1 frames1

Explore the visual relationships

Per qualche dollaro in più (1965)
97% color similarity Ace Ventura: Pet Detective (1993)
97% color similarity Coming to America (1988)
97% color similarity Cherry 2000 (1987)
96% color similarity Office Space (1999)
96% color similarity From Russia with Love (1963)
96% color similarity A Different Man (2024)
95% color similarity Fei lung mang jeung (1988)
95% color similarity About a Boy (2002)
95% color similarity The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
94% color similarity Cool Runnings (1993)
93% color similarity Analyze That (2002)
92% color similarity Magnificent Obsession (1954)
91% color similarity For Your Eyes Only (1981)
91% color similarity Medium Cool (1969)
90% color similarity

Visual tags in The Accused

refrigerator chest of drawers countertop drawer trousers cabinetry office bookcase desk truck ball billiard table window blind microphone tableware cup bus jacket vehicle registration plate bag drinking straw plate chair wheel

Films with a similar visual profile

Ace Ventura: Pet Detective (1993)
98% match · 412 frames
From Russia with Love (1963)
97% match · 719 frames
Per qualche dollaro in più (1965)
97% match · 530 frames
Coming to America (1988)
97% match · 541 frames
About a Boy (2002)
96% match · 448 frames
A Different Man (2024)
96% match · 364 frames
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
95% match · 459 frames
Office Space (1999)
95% match · 349 frames
Analyze That (2002)
95% match · 358 frames
Fei lung mang jeung (1988)
94% match · 535 frames
Cool Runnings (1993)
94% match · 683 frames
Cherry 2000 (1987)
94% match · 553 frames

About this collection

Metrics on this page are calculated from 506 frames available for The Accused in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.