Nymphomaniac: Vol. I cinematography — film frames and visual analysis

2013 · 498 frames · Directed by Lars von Trier

Explore 498 frames from Nymphomaniac: Vol. I and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

498 frames 2.35:1 Mostly wide shots
Analyze a random frame Go to visual profile
Reset
Medium shot frame from Nymphomaniac: Vol. I — sitting, coat, hand
Open Analyze Find similar
Medium shot · Low brightness · Dark blue
Medium shot frame from Nymphomaniac: Vol. I — sitting, desk, book
Open Analyze Find similar
Medium shot · High brightness · Light gray
Medium shot frame from Nymphomaniac: Vol. I — standing, face, hair
Open Analyze Find similar
Medium shot · High brightness · Orange
Medium shot frame from Nymphomaniac: Vol. I — room, door, face
Open Analyze Find similar
Medium shot · Medium brightness · Muted orange
Medium shot frame from Nymphomaniac: Vol. I — table, hand, shirt
Open Analyze Find similar
Medium shot · Low brightness · Black
Medium shot frame from Nymphomaniac: Vol. I — sitting, room, face
Open Analyze Find similar
Medium shot · Medium brightness · Dark gray
Medium shot frame from Nymphomaniac: Vol. I — sitting, door, face
Open Analyze Find similar
Medium shot · Low brightness · Dark blue
Medium shot frame from Nymphomaniac: Vol. I — bed, beard, hair
Open Analyze Find similar
Medium shot · Medium brightness · Gray
Medium shot frame from Nymphomaniac: Vol. I — book, standing, room
Open Analyze Find similar
Medium shot · Medium brightness · Dark blue
Medium shot frame from Nymphomaniac: Vol. I — door, face, hair
Open Analyze Find similar
Medium shot · Medium brightness · Dark green
Medium shot frame from Nymphomaniac: Vol. I — standing, room, door
Open Analyze Find similar
Medium shot · Medium brightness · Dark red
Medium shot frame from Nymphomaniac: Vol. I — sitting, room, hand
Open Analyze Find similar
Medium shot · Medium brightness · Light blue
Medium shot frame from Nymphomaniac: Vol. I — sitting, animal, suit
Open Analyze Find similar
Medium shot · Medium brightness · Dark red
Medium shot frame from Nymphomaniac: Vol. I — room, face, hair
Open Analyze Find similar
Medium shot · High brightness · White
Medium shot frame from Nymphomaniac: Vol. I — standing, face, train
Open Analyze Find similar
Medium shot · High brightness · Orange
Medium shot frame from Nymphomaniac: Vol. I — sitting, room, table
Open Analyze Find similar
Medium shot · Medium brightness · Dark orange
Medium shot frame from Nymphomaniac: Vol. I — sitting, room, shirt
Open Analyze Find similar
Medium shot · Low brightness · Dark gray
Medium shot frame from Nymphomaniac: Vol. I — standing, dialogue, hand
Open Analyze Find similar
Medium shot · Medium brightness · Dark orange
Medium shot frame from Nymphomaniac: Vol. I — coat, face, hair
Open Analyze Find similar
Medium shot · High brightness · Light gray
Medium shot frame from Nymphomaniac: Vol. I — hand, face, hair
Open Analyze Find similar
Medium shot · Medium brightness · Muted orange

Visual profile of Nymphomaniac: Vol. I

This visual profile is calculated from 498 frames available in the WatchTheFrame collection.

Color palette of Nymphomaniac: Vol. I

Gray 17.2% · 340 frames Dark gray 16.9% · 356 frames Dark orange 11.6% · 239 frames Muted orange 10.2% · 252 frames Black 8.3% · 219 frames Dark blue 6.1% · 169 frames Dark green 4.8% · 63 frames Light gray 4.7% · 186 frames Dark red 4% · 142 frames Dark yellow 2.8% · 75 frames Muted yellow 2.8% · 79 frames Muted red 1.6% · 51 frames Muted green 1.3% · 47 frames Dark teal 1.2% · 42 frames

Lighting and tonal range

Brightness: higher than 81% of films in the collection
DarkBright
Contrast: higher than 68% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.

Composition and shot characteristics

Wide shot — 57% — 286 frames286Medium shot — 5% — 27 frames27Close-up — 1% — 4 frames4

Explore the visual relationships

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
97% color similarity Men in Black 3 (2012)
96% color similarity Analyze That (2002)
95% color similarity There Will Be Blood (2007)
95% color similarity Nymphomaniac: Vol. II (2013)
94% color similarity Es ist nicht leicht, ein Gott zu sein (1989)
94% color similarity Kak menya zovut (2014)
93% color similarity Robin Hood: Prince of Thieves (1991)
93% color similarity About a Boy (2002)
93% color similarity Dheepan (2015)
92% color similarity Cool Runnings (1993)
92% color similarity Ace Ventura: Pet Detective (1993)
91% color similarity Blazing Saddles (1974)
90% color similarity For Your Eyes Only (1981)
90% color similarity Kuru Otlar Üstüne (2023)
89% color similarity

Visual palette across 2 films directed by Lars von Trier

2013 · Nymphomaniac: Vol. II
94% similarity

Films directed by Lars von Trier

Nymphomaniac: Vol. II
703 frames
Explore Lars von Trier visual profile

Visual tags in Nymphomaniac: Vol. I

jaguar maple fork human ear corded phone office supplies human nose coffee cup desk human hand bed bowl box human mouth door handle office bathroom bookcase bedroom helicopter human eye cup window blind curtain

Films with a similar visual profile

Nymphomaniac: Vol. II (2013)
96% match · 703 frames
Dheepan (2015)
95% match · 433 frames
Men in Black 3 (2012)
94% match · 544 frames
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
94% match · 396 frames
Analyze That (2002)
94% match · 358 frames
Robin Hood: Prince of Thieves (1991)
93% match · 586 frames
Kak menya zovut (2014)
93% match · 363 frames
Ace Ventura: Pet Detective (1993)
93% match · 412 frames
For Your Eyes Only (1981)
93% match · 964 frames
About a Boy (2002)
93% match · 448 frames
Es ist nicht leicht, ein Gott zu sein (1989)
93% match · 521 frames
There Will Be Blood (2007)
93% match · 469 frames

About this collection

Metrics on this page are calculated from 498 frames available for Nymphomaniac: Vol. I in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.