Licorice Pizza cinematography — film frames and visual analysis

2021 · 513 frames · Directed by Paul Thomas Anderson

Explore 513 frames from Licorice Pizza and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

513 frames 2.39:1 Mostly wide shots
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Wide shot frame from Licorice Pizza — sitting, book, standing
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Wide shot · Medium brightness · Muted orange
Medium shot frame from Licorice Pizza — standing, table, dress
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Medium shot · High brightness · Light yellow
Wide shot frame from Licorice Pizza — standing, walking, car
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Wide shot · Medium brightness · Dark blue
Wide shot frame from Licorice Pizza — standing, room, shirt
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Wide shot · Medium brightness · Dark teal
Wide shot frame from Licorice Pizza — sitting, table, dialogue
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Wide shot · Low brightness · Dark orange
Wide shot frame from Licorice Pizza — room, dialogue, car
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Wide shot · Medium brightness · Dark blue

Visual profile of Licorice Pizza

This visual profile is calculated from 513 frames available in the WatchTheFrame collection.

Color palette of Licorice Pizza

Dark gray 10.7% · 328 frames Muted orange 10.3% · 369 frames Dark blue 10% · 221 frames Dark red 9.9% · 291 frames Gray 8.2% · 307 frames Dark orange 7.7% · 226 frames Orange 5.7% · 263 frames Black 5.5% · 157 frames Light yellow 4.8% · 222 frames Dark green 3.7% · 83 frames Dark teal 3.7% · 115 frames Muted yellow 3.4% · 162 frames Light orange 2.6% · 135 frames Muted green 2.1% · 115 frames

Lighting and tonal range

Brightness: higher than 95% of films in the collection
DarkBright
Contrast: higher than 96% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.
  • These frames contain a relatively high share of high-contrast images.

Composition and shot characteristics

Wide shot — 84% — 430 frames430Medium shot — 6% — 29 frames29Close-up — 0% — 2 frames2

Explore the visual relationships

The Wrestler (2008)
92% color similarity Battle of the Sexes (2017)
91% color similarity Dream Scenario (2023)
90% color similarity Spider-Man (2002)
90% color similarity Men in Black 3 (2012)
89% color similarity The New Guy (2002)
88% color similarity Todo sobre mi madre (1999)
88% color similarity The Last King of Scotland (2006)
87% color similarity 21 Jump Street (2012)
86% color similarity Anchorman: The Legend of Ron Burgundy (2004)
86% color similarity You've Got Mail (1998)
84% color similarity Men in Black International (2019)
84% color similarity There Will Be Blood (2007)
84% color similarity Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
82% color similarity The Persian Version (2023)
79% color similarity

Visual palette across 2 films directed by Paul Thomas Anderson

2007 · There Will Be Blood
84% similarity

Films directed by Paul Thomas Anderson

There Will Be Blood
469 frames
Explore Paul Thomas Anderson visual profile

Visual tags in Licorice Pizza

awning stop sign swimwear balloon taillight corded phone windshield wiper nightstand traffic light shorts window blind bathroom bicycle drum truck trousers bicycle wheel restaurant phone fancy dress running poster shirt vehicle registration plate

Films with a similar visual profile

The Wrestler (2008)
92% match · 312 frames
Anchorman: The Legend of Ron Burgundy (2004)
91% match · 347 frames
The New Guy (2002)
91% match · 461 frames
Spider-Man (2002)
91% match · 604 frames
The Last King of Scotland (2006)
91% match · 558 frames
Men in Black 3 (2012)
90% match · 544 frames
Men in Black International (2019)
90% match · 621 frames
Battle of the Sexes (2017)
90% match · 702 frames
Dream Scenario (2023)
89% match · 400 frames
Todo sobre mi madre (1999)
89% match · 284 frames
21 Jump Street (2012)
89% match · 559 frames
There Will Be Blood (2007)
89% match · 469 frames

About this collection

Metrics on this page are calculated from 513 frames available for Licorice Pizza in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.