Léon cinematography — film frames and visual analysis

1994 · 410 frames · Directed by Luc Besson

Explore 410 frames from Léon and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

410 frames 2.35:1 Mostly wide shots
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Frame from Léon — standing, room, beard
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Medium brightness · Muted yellow
Wide shot frame from Léon — walking, plate, street
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Wide shot · High brightness · Light teal
Wide shot frame from Léon — face, hair, person
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Wide shot · High brightness · Light teal
Frame from Léon — walking, dialogue, hand
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Medium brightness · Dark yellow
Wide shot frame from Léon — standing, walking, face
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Wide shot · Medium brightness · Dark yellow
Wide shot frame from Léon — standing, room, suit
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Wide shot · High brightness · Muted orange
Frame from Léon — water, building
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High brightness · Dark yellow
Wide shot frame from Léon — sitting, walking, dialogue
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Wide shot · Medium brightness · Dark orange
Close-up frame from Léon — face, hair, person
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Close-up · High brightness · Dark yellow
Wide shot frame from Léon — standing, door, coat
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Wide shot · Low brightness · Black

Visual profile of Léon

This visual profile is calculated from 410 frames available in the WatchTheFrame collection.

Color palette of Léon

Dark orange 32% · 397 frames Muted orange 17.6% · 365 frames Orange 12.2% · 297 frames Dark red 7.1% · 190 frames Muted yellow 5.3% · 167 frames Dark yellow 4.6% · 110 frames Black 3.9% · 54 frames Dark green 3.5% · 74 frames Gray 2.4% · 104 frames Light green 2.3% · 140 frames Light yellow 1.7% · 124 frames Light teal 1.6% · 49 frames Yellow 1.4% · 87 frames Light orange 1% · 68 frames

Lighting and tonal range

Brightness: higher than 96% of films in the collection
DarkBright
Contrast: higher than 99% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.
  • Saturated colors appear frequently in these frames.
  • These frames contain a relatively high share of high-contrast images.

Composition and shot characteristics

Wide shot — 77% — 314 frames314Medium shot — 5% — 21 frames21Close-up — 1% — 4 frames4

Explore the visual relationships

Thank You for Smoking (2005)
97% color similarity Megalopolis (2024)
96% color similarity Dolemite Is My Name (2019)
95% color similarity The Persian Version (2023)
95% color similarity Alexander (2004)
94% color similarity Water for Elephants (2011)
93% color similarity Bãhubali: The Beginning (2015)
92% color similarity The Wizard of Oz (1939)
91% color similarity Gangs of New York (2002)
91% color similarity 127 Hours (2010)
91% color similarity Bãhubali 2: The Conclusion (2017)
89% color similarity Kill Bill: Vol. 2 (2004)
83% color similarity The Informant! (2009)
82% color similarity Meet Joe Black (1998)
81% color similarity The Last King of Scotland (2006)
80% color similarity

Visual palette across 2 films directed by Luc Besson

2023 · Dogman

Films directed by Luc Besson

Dogman
488 frames
Explore Luc Besson visual profile

Visual tags in Léon

faucet handgun sink bathroom door handle flowerpot curtain television houseplant door taxi convenience store bedroom cabinetry kitchen bag truck mirror tableware bookcase restaurant skyscraper bottle phone

Films with a similar visual profile

Thank You for Smoking (2005)
96% match · 233 frames
Alexander (2004)
94% match · 801 frames
The Persian Version (2023)
93% match · 608 frames
Megalopolis (2024)
93% match · 507 frames
127 Hours (2010)
91% match · 481 frames
The Wizard of Oz (1939)
89% match · 399 frames
Bãhubali 2: The Conclusion (2017)
89% match · 1040 frames
The Informant! (2009)
88% match · 242 frames
Water for Elephants (2011)
88% match · 488 frames
Dolemite Is My Name (2019)
88% match · 602 frames
The Last King of Scotland (2006)
87% match · 558 frames
Bãhubali: The Beginning (2015)
87% match · 1162 frames

About this collection

Metrics on this page are calculated from 410 frames available for Léon in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.