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Layer Cake
Layer Cake cinematography — film frames and visual analysis
Explore 414 frames from Layer Cake and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
414 frames
2.40:1
Mostly wide shots
Wide shot · High brightness · Dark gray
High brightness · Dark orange
Wide shot · Medium brightness · Dark blue
Wide shot · Medium brightness · Black
Medium brightness · Dark teal
High brightness · Orange
Wide shot · Medium brightness · Dark gray
Wide shot · Medium brightness · Dark red
Wide shot · High brightness · Light yellow
High brightness · Dark orange
Wide shot · Medium brightness · Muted green
Wide shot · Low brightness · Dark blue
Wide shot · High brightness · Muted orange
Wide shot · Medium brightness · Dark orange
Wide shot · Medium brightness · Dark orange
Wide shot · High brightness · Dark gray
Wide shot · Medium brightness · Dark orange
Wide shot · High brightness · Light yellow
Wide shot · Medium brightness · Dark orange
High brightness · Dark gray
Visual profile of Layer Cake
This visual profile is calculated from 414 frames available in the WatchTheFrame collection.
Color palette of Layer Cake
Lighting and tonal range
Brightness: higher than 95% of films in the collection
Dark Bright
Contrast: higher than 96% of films in the collection
Low High
The analysed frames are brighter than most films in the WatchTheFrame collection. These frames contain a relatively high share of high-contrast images.
Composition and shot characteristics
Explore the visual relationships
Similar by color Director
Visual palette across 5 films directed by Matthew Vaughn
Based on 5 films in the collection, these colors appear most frequently in frames from films directed by Matthew Vaughn.
Visual tags in Layer Cake
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 414 frames available for Layer Cake in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.