Home /
Movies /
Kingsman: The Secret Service
Kingsman: The Secret Service cinematography — film frames and visual analysis
Explore 527 frames from Kingsman: The Secret Service and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.
527 frames
2.39:1
Mostly wide shots
Wide shot · Medium brightness · Dark green
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Dark green
Wide shot · High brightness · Gray
Wide shot · Medium brightness · Dark green
Wide shot · Medium brightness · Dark green
Wide shot · Medium brightness · Dark green
Wide shot · Medium brightness · Dark green
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Muted yellow
Wide shot · Low brightness · Dark blue
Wide shot · Medium brightness · Muted green
Wide shot · Medium brightness · Muted green
Wide shot · Medium brightness · Dark yellow
Wide shot · High brightness · Gray
Visual profile of Kingsman: The Secret Service
This visual profile is calculated from 527 frames available in the WatchTheFrame collection.
Color palette of Kingsman: The Secret Service
Lighting and tonal range
Brightness: higher than 57% of films in the collection
Dark Bright
Contrast: lower than 77% of films in the collection
Low High
Muted and low-saturation colors appear frequently in these frames. These frames contain a relatively high share of low-contrast images.
Composition and shot characteristics
Explore the visual relationships
Similar by color Director
Visual palette across 5 films directed by Matthew Vaughn
Based on 5 films in the collection, these colors appear most frequently in frames from films directed by Matthew Vaughn.
Visual tags in Kingsman: The Secret Service
Films with a similar visual profile
Overall
Color
Brightness
Contrast
About this collection
Metrics on this page are calculated from 527 frames available for Kingsman: The Secret Service in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.