Jungle Cruise cinematography — film frames and visual analysis

2021 · 572 frames · Directed by Jaume Collet-Serra

Explore 572 frames from Jungle Cruise and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

572 frames 2.39:1 Mostly wide shots
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Wide shot frame from Jungle Cruise — standing, room, table
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Wide shot · Low brightness · Dark orange
Wide shot frame from Jungle Cruise — plate
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Wide shot · Medium brightness · Dark gray
Wide shot frame from Jungle Cruise — standing, hat, hand
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Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jungle Cruise — kiss, water, face
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Wide shot · Medium brightness · Dark orange
Wide shot frame from Jungle Cruise — standing, hat, suit
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Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jungle Cruise — standing, hat, face
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Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jungle Cruise — standing, hat, boat
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Wide shot · Medium brightness · Dark orange
Wide shot frame from Jungle Cruise — standing, person, human face
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Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jungle Cruise — standing, dialogue, hat
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Wide shot · Medium brightness · Dark yellow
Frame from Jungle Cruise — table, banana
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Medium brightness · Dark orange
Wide shot frame from Jungle Cruise — standing, dialogue, hat
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Wide shot · Medium brightness · Dark orange
Wide shot frame from Jungle Cruise — standing, street, clock
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Wide shot · Medium brightness · Dark orange

Visual profile of Jungle Cruise

This visual profile is calculated from 572 frames available in the WatchTheFrame collection.

Color palette of Jungle Cruise

Dark yellow 38.9% · 472 frames Dark orange 28.4% · 402 frames Gray 12.5% · 404 frames Muted yellow 7.6% · 344 frames Dark gray 4.3% · 133 frames Dark green 3.6% · 43 frames Black 1.8% · 42 frames Muted orange 1% · 57 frames Dark pink 0.6% · 4 frames Dark teal 0.5% · 6 frames Dark purple 0.3% · 2 frames Light gray 0.3% · 31 frames Dark red 0.1% · 11 frames Dark blue 0.1% · 4 frames

Lighting and tonal range

Brightness: lower than 61% of films in the collection
DarkBright
Contrast: lower than 89% of films in the collection
LowHigh
  • These frames contain a relatively high share of low-contrast images.

Composition and shot characteristics

Wide shot — 92% — 527 frames527Medium shot — 5% — 26 frames26Close-up — 0% — 2 frames2

Explore the visual relationships

The Conjuring: The Devil Made Me Do It (2021)
88% color similarity Gods of Egypt (2016)
84% color similarity Green Book (2018)
83% color similarity Hotel Artemis (2018)
82% color similarity Jusan-nin no shikaku (2010)
81% color similarity The Jungle Book (2016)
80% color similarity Gosford Park (2001)
80% color similarity One Night in Miami (2020)
76% color similarity Constantine (2005)
76% color similarity Zodiac (2007)
76% color similarity The Limey (1999)
75% color similarity The Godfather: Part II (1974)
73% color similarity Zombieland (2009)
71% color similarity 10 Cloverfield Lane (2016)
71% color similarity The Night Before (2015)
70% color similarity

Visual tags in Jungle Cruise

leopard butterfly boat insect camera water tent bird palm tree hat fountain guitar pipe animal forest train mustache restaurant shirt tower uniform human eye smoke standing

Films with a similar visual profile

The Conjuring: The Devil Made Me Do It (2021)
90% match · 484 frames
Gods of Egypt (2016)
89% match · 648 frames
Green Book (2018)
88% match · 459 frames
Jusan-nin no shikaku (2010)
86% match · 1041 frames
Hotel Artemis (2018)
86% match · 319 frames
The Jungle Book (2016)
86% match · 569 frames
Gosford Park (2001)
86% match · 400 frames
Constantine (2005)
85% match · 402 frames
The Limey (1999)
85% match · 353 frames
One Night in Miami (2020)
84% match · 272 frames
The Godfather: Part II (1974)
83% match · 578 frames
Zombieland (2009)
82% match · 492 frames

About this collection

Metrics on this page are calculated from 572 frames available for Jungle Cruise in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.