Jack the Giant Slayer cinematography — film frames and visual analysis

2013 · 785 frames · Directed by Bryan Singer

Explore 785 frames from Jack the Giant Slayer and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

785 frames 2.40:1 Mostly wide shots
Analyze a random frame Go to visual profile
Reset
Wide shot frame from Jack the Giant Slayer — standing, room, dialogue
Open Analyze Find similar
Wide shot · Medium brightness · Dark orange
Wide shot frame from Jack the Giant Slayer — standing, fire, person
Open Analyze Find similar
Wide shot · Medium brightness · Black
Wide shot frame from Jack the Giant Slayer — sitting, hat, suit
Open Analyze Find similar
Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jack the Giant Slayer — standing, hand, face
Open Analyze Find similar
Wide shot · High brightness · Orange
Wide shot frame from Jack the Giant Slayer — bag, person, footwear
Open Analyze Find similar
Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jack the Giant Slayer — standing, face, hair
Open Analyze Find similar
Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jack the Giant Slayer — sitting, dialogue, horse
Open Analyze Find similar
Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jack the Giant Slayer — fire, smoke, person
Open Analyze Find similar
Wide shot · High brightness · Dark orange
Wide shot frame from Jack the Giant Slayer — horse, hair, person
Open Analyze Find similar
Wide shot · Medium brightness · Dark orange
Wide shot frame from Jack the Giant Slayer — sitting, standing, beard
Open Analyze Find similar
Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jack the Giant Slayer — standing, room, shirt
Open Analyze Find similar
Wide shot · Low brightness · Dark orange
Wide shot frame from Jack the Giant Slayer — standing, dialogue, hat
Open Analyze Find similar
Wide shot · Medium brightness · Dark orange
Frame from Jack the Giant Slayer — fire, water, person
Open Analyze Find similar
Medium brightness · Muted orange
Wide shot frame from Jack the Giant Slayer — standing, walking, street
Open Analyze Find similar
Wide shot · Medium brightness · Dark yellow
Wide shot frame from Jack the Giant Slayer — sitting, standing, room
Open Analyze Find similar
Wide shot · High brightness · Dark red
Wide shot frame from Jack the Giant Slayer — hat, water, face
Open Analyze Find similar
Wide shot · High brightness · Orange
Wide shot frame from Jack the Giant Slayer — fire, water, smoke
Open Analyze Find similar
Wide shot · High brightness · Orange
Wide shot frame from Jack the Giant Slayer — standing, fire, person
Open Analyze Find similar
Wide shot · Medium brightness · Dark blue
Frame from Jack the Giant Slayer — standing, hat, mustache
Open Analyze Find similar
Medium brightness · Dark green
Frame from Jack the Giant Slayer — sitting, hat, beard
Open Analyze Find similar
High brightness · Light teal

Visual profile of Jack the Giant Slayer

This visual profile is calculated from 785 frames available in the WatchTheFrame collection.

Color palette of Jack the Giant Slayer

Dark orange 20.7% · 468 frames Dark gray 11.5% · 392 frames Dark green 9.9% · 262 frames Dark yellow 9% · 282 frames Muted orange 6.9% · 358 frames Gray 5.6% · 394 frames Black 4.8% · 199 frames Dark blue 4.3% · 84 frames Dark red 4.1% · 195 frames Muted yellow 3.7% · 199 frames Dark teal 3% · 86 frames Light teal 2.9% · 147 frames Muted teal 2.3% · 114 frames Orange 1.8% · 111 frames

Lighting and tonal range

Brightness: higher than 74% of films in the collection
DarkBright
Contrast: higher than 88% of films in the collection
LowHigh
  • These frames contain a relatively high share of high-contrast images.

Composition and shot characteristics

Wide shot — 79% — 620 frames620Medium shot — 7% — 52 frames52Close-up — 0% — 2 frames2

Explore the visual relationships

Kill Bill: Vol. 2 (2004)
95% color similarity Butch Cassidy and the Sundance Kid (1969)
94% color similarity Sin nombre (2009)
94% color similarity Unforgiven (1992)
93% color similarity The Fault in Our Stars (2014)
93% color similarity Lethal Weapon (1987)
92% color similarity Lucky Number Slevin (2005)
92% color similarity Before Midnight (2013)
91% color similarity 12 Years a Slave (2013)
91% color similarity Es ist nicht leicht, ein Gott zu sein (1989)
90% color similarity The Kings of Summer (2013)
89% color similarity The Assassination of Jesse James by the Coward Robert Ford (2007)
89% color similarity Men in Black International (2019)
89% color similarity Zodiac (2007)
88% color similarity 21 Jump Street (2012)
88% color similarity

Visual palette across 3 films directed by Bryan Singer

2000 · X-Men
2018 · Bohemian Rhapsody

Based on 3 films in the collection, these colors appear most frequently in frames from films directed by Bryan Singer.

Films directed by Bryan Singer

X-Men
838 frames
Bohemian Rhapsody
509 frames
Explore Bryan Singer visual profile

Visual tags in Jack the Giant Slayer

crown castle horse statue sculpture fire fountain rain tent animal fight mustache flag smoke crying beard forest running knife water people show bird action hat

Films with a similar visual profile

Kill Bill: Vol. 2 (2004)
95% match · 425 frames
Unforgiven (1992)
95% match · 556 frames
Lucky Number Slevin (2005)
95% match · 468 frames
The Fault in Our Stars (2014)
94% match · 592 frames
Sin nombre (2009)
94% match · 727 frames
Butch Cassidy and the Sundance Kid (1969)
94% match · 394 frames
Lethal Weapon (1987)
94% match · 766 frames
12 Years a Slave (2013)
93% match · 449 frames
Men in Black International (2019)
93% match · 621 frames
21 Jump Street (2012)
93% match · 559 frames
The Assassination of Jesse James by the Coward Robert Ford (2007)
92% match · 484 frames
Es ist nicht leicht, ein Gott zu sein (1989)
92% match · 521 frames

About this collection

Metrics on this page are calculated from 785 frames available for Jack the Giant Slayer in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.