Dheepan cinematography — film frames and visual analysis

2015 · 433 frames · Directed by Jacques Audiard

Explore 433 frames from Dheepan and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

433 frames 2.41:1 Mostly wide shots
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Frame from Dheepan — standing, kitchen, person
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Medium brightness · Dark gray
Wide shot frame from Dheepan — scissors
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Wide shot · Low brightness · Dark green
Wide shot frame from Dheepan — standing, face, hair
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Wide shot · High brightness · Gray
Wide shot frame from Dheepan — sitting, standing, street
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Wide shot · Medium brightness · Muted blue
Frame from Dheepan — hat, hand, person
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Low brightness · Dark teal
Wide shot frame from Dheepan — standing, walking, dialogue
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Wide shot · Medium brightness · Gray
Frame from Dheepan — phone, hand, shirt
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Medium brightness · Muted orange
Wide shot frame from Dheepan — walking, dialogue, street
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Wide shot · High brightness · Muted red
Wide shot frame from Dheepan — hand, face, necklace
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Wide shot · Medium brightness · Dark orange
Medium shot frame from Dheepan — shirt, jacket, beard
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Medium shot · High brightness · Dark gray
Wide shot frame from Dheepan — room, bed, hand
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Wide shot · Medium brightness · Dark blue
Wide shot frame from Dheepan — sitting, plate, room
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Wide shot · Medium brightness · Dark gray
Wide shot frame from Dheepan — standing, face, hair
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Wide shot · Medium brightness · Gray

Visual profile of Dheepan

This visual profile is calculated from 433 frames available in the WatchTheFrame collection.

Color palette of Dheepan

Gray 23.2% · 374 frames Dark gray 18% · 371 frames Dark teal 9.8% · 187 frames Dark orange 8% · 170 frames Dark blue 6.3% · 150 frames Light gray 5.8% · 208 frames Muted orange 5.7% · 184 frames Black 3.7% · 111 frames Dark green 3.4% · 88 frames Dark red 3.1% · 87 frames Dark yellow 2.2% · 51 frames Muted red 2% · 89 frames Muted blue 1.8% · 85 frames Muted yellow 1.5% · 54 frames

Lighting and tonal range

Brightness: higher than 87% of films in the collection
DarkBright
Contrast: higher than 67% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.

Composition and shot characteristics

Wide shot — 58% — 249 frames249Medium shot — 7% — 30 frames30Close-up — 0% — 2 frames2

Explore the visual relationships

Chinjeolhan Geumjassi (2005)
97% color similarity Nymphomaniac: Vol. II (2013)
95% color similarity In the Mouth of Madness (1991)
95% color similarity Zhong hua zhan shi (1987)
94% color similarity Analyze That (2002)
93% color similarity Fei lung mang jeung (1988)
93% color similarity Nymphomaniac: Vol. I (2013)
92% color similarity About a Boy (2002)
92% color similarity Office Space (1999)
91% color similarity Busanhaeng (2016)
91% color similarity Medium Cool (1969)
91% color similarity For Your Eyes Only (1981)
91% color similarity Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
91% color similarity Robin Hood: Prince of Thieves (1991)
91% color similarity Ace Ventura: Pet Detective (1993)
90% color similarity

Visual tags in Dheepan

scarf necklace handbag jacket motorcycle trousers cart countertop kitchen rain studio couch crying door handle beard couch cabinetry bus bag mustache desk food street bottle bicycle

Films with a similar visual profile

Nymphomaniac: Vol. II (2013)
97% match · 703 frames
Nymphomaniac: Vol. I (2013)
95% match · 498 frames
Fei lung mang jeung (1988)
94% match · 535 frames
In the Mouth of Madness (1991)
94% match · 906 frames
Office Space (1999)
93% match · 349 frames
Chinjeolhan Geumjassi (2005)
93% match · 506 frames
For Your Eyes Only (1981)
93% match · 964 frames
Analyze That (2002)
92% match · 358 frames
Ace Ventura: Pet Detective (1993)
92% match · 412 frames
Busanhaeng (2016)
92% match · 161 frames
Medium Cool (1969)
92% match · 660 frames
About a Boy (2002)
92% match · 448 frames

About this collection

Metrics on this page are calculated from 433 frames available for Dheepan in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.