Constantine cinematography — film frames and visual analysis

2005 · 402 frames · Directed by Francis Lawrence

Explore 402 frames from Constantine and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

402 frames 2.39:1 Mostly wide shots
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Medium shot frame from Constantine — bed, hair, person
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Medium shot · Medium brightness · Gray
Medium shot frame from Constantine — sitting, room, table
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Medium shot · Low brightness · Dark orange
Medium shot frame from Constantine — standing, dog, suit
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Medium shot · Low brightness · Dark green
Medium shot frame from Constantine — room, shirt, face
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Medium shot · Medium brightness · Dark green
Medium shot frame from Constantine — sitting, standing, room
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Medium shot · Medium brightness · Dark green
Medium shot frame from Constantine — standing, room, face
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Medium shot · Medium brightness · Dark yellow
Medium shot frame from Constantine — sitting, book, room
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Medium shot · Medium brightness · Gray

Visual profile of Constantine

This visual profile is calculated from 402 frames available in the WatchTheFrame collection.

Color palette of Constantine

Dark orange 23.9% · 213 frames Dark gray 20.3% · 275 frames Gray 12.8% · 277 frames Dark yellow 12.5% · 172 frames Dark green 7.4% · 109 frames Black 5.9% · 132 frames Dark teal 5.9% · 88 frames Dark blue 5.2% · 68 frames Muted orange 3.1% · 106 frames Muted yellow 1.7% · 48 frames Dark red 0.4% · 9 frames Muted green 0.4% · 16 frames Light gray 0.2% · 15 frames Yellow 0.2% · 9 frames

Lighting and tonal range

Brightness: lower than 84% of films in the collection
DarkBright
Contrast: lower than 73% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.

Composition and shot characteristics

Wide shot — 87% — 351 frames351Medium shot — 7% — 27 frames27Close-up — 0% — 1 frames1

Explore the visual relationships

The Night Before (2015)
98% color similarity The Limey (1999)
97% color similarity Bohemian Rhapsody (2018)
97% color similarity The Conjuring: The Devil Made Me Do It (2021)
96% color similarity The Holiday (2006)
95% color similarity Borderlands (2024)
93% color similarity The Godfather: Part II (1974)
92% color similarity Harry Potter and the Sorcerer's Stone (2001)
92% color similarity Daddy's Home 2 (2017)
92% color similarity The Hudsucker Proxy (1994)
91% color similarity Zombieland (2009)
91% color similarity Se, jie (2007)
91% color similarity The Hangover Part II (2011)
90% color similarity Batman Begins (2005)
90% color similarity Dial M for Murder (1954)
89% color similarity

Visual palette across 4 films directed by Francis Lawrence

2011 · Water for Elephants
2014 · The Hunger Games: Mockingjay - Part 1
2023 · The Hunger Games: The Ballad of Songbirds & Snakes

Based on 4 films in the collection, these colors appear most frequently in frames from films directed by Francis Lawrence.

Films directed by Francis Lawrence

Water for Elephants
488 frames
The Hunger Games: Mockingjay - Part 1
465 frames
The Hunger Games: The Ballad of Songbirds & Snakes
590 frames
Explore Francis Lawrence visual profile

Visual tags in Constantine

drink shelf crying rain human hand fountain swimming pool street light taxi bookcase animal newspaper furniture human eye bottle bed cigarette kitchen human nose mirror bedroom clock tie book

Films with a similar visual profile

Bohemian Rhapsody (2018)
97% match · 509 frames
The Limey (1999)
97% match · 353 frames
The Night Before (2015)
96% match · 607 frames
The Conjuring: The Devil Made Me Do It (2021)
96% match · 484 frames
The Godfather: Part II (1974)
95% match · 578 frames
The Holiday (2006)
95% match · 687 frames
Zombieland (2009)
94% match · 492 frames
The Hangover Part II (2011)
94% match · 511 frames
Batman Begins (2005)
93% match · 551 frames
Borderlands (2024)
93% match · 572 frames
Daddy's Home 2 (2017)
93% match · 589 frames
Dial M for Murder (1954)
93% match · 241 frames

About this collection

Metrics on this page are calculated from 402 frames available for Constantine in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.