Busanhaeng cinematography — film frames and visual analysis

2016 · 161 frames · Directed by Yeon Sang-ho

Explore 161 frames from Busanhaeng and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

161 frames 1.84:1 Mostly wide shots
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Medium shot frame from Busanhaeng — hand, shirt, train
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Medium shot · High brightness · Gray
Medium shot frame from Busanhaeng — standing, door, hand
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Medium shot · Medium brightness · Dark green
Medium shot frame from Busanhaeng — sitting, car, suit
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Medium shot · Low brightness · Dark teal
Medium shot frame from Busanhaeng — walking, suit, person
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Medium shot · High brightness · Dark gray
Medium shot frame from Busanhaeng — standing, car, hand
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Medium shot · Medium brightness · Dark teal
Medium shot frame from Busanhaeng — sitting, face, train
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Medium shot · Medium brightness · Dark orange
Medium shot frame from Busanhaeng — standing, train, person
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Medium shot · High brightness · Light gray
Medium shot frame from Busanhaeng — sitting, room, shirt
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Medium shot · High brightness · Light gray
Medium shot frame from Busanhaeng — standing, phone, door
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Medium shot · Medium brightness · Red
Medium shot frame from Busanhaeng — standing, uniform, suit
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Medium shot · Medium brightness · Dark blue
Medium shot frame from Busanhaeng — hand, shirt, face
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Medium shot · Medium brightness · Dark teal

Visual profile of Busanhaeng

This visual profile is calculated from 161 frames available in the WatchTheFrame collection.

Color palette of Busanhaeng

Dark teal 20.2% · 123 frames Gray 19% · 139 frames Dark gray 14.1% · 128 frames Dark green 6.7% · 55 frames Light gray 6% · 75 frames Dark orange 4.8% · 81 frames Muted yellow 4.5% · 44 frames Dark yellow 4.5% · 46 frames Muted orange 4.2% · 60 frames Dark blue 3.8% · 47 frames Black 2.4% · 34 frames Muted teal 2.3% · 45 frames Light teal 1.2% · 27 frames Orange 1.2% · 26 frames

Lighting and tonal range

Brightness: higher than 86% of films in the collection
DarkBright
Contrast: higher than 86% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.
  • These frames contain a relatively high share of high-contrast images.

Composition and shot characteristics

Wide shot — 80% — 128 frames128Medium shot — 7% — 11 frames11

Explore the visual relationships

To All the Boys: Always and Forever (2021)
95% color similarity Burn After Reading (2008)
92% color similarity Transformers: Revenge of the Fallen (2009)
91% color similarity Dheepan (2015)
91% color similarity The Bourne Supremacy (2004)
90% color similarity Chinjeolhan Geumjassi (2005)
88% color similarity Prey for the Devil (2021)
87% color similarity The King of Staten Island (2020)
86% color similarity About Time (2013)
85% color similarity The Hangover (2009)
82% color similarity Layer Cake (2004)
82% color similarity Men in Black II (2002)
81% color similarity Zhong hua zhan shi (1987)
79% color similarity 964 Pinocchio (1991)
76% color similarity Men in Black International (2019)
74% color similarity

Visual tags in Busanhaeng

train uniform running fight cigarette phone bus door car bag smoke footwear shirt trousers window tie glass walking suit hand face jacket person human face

Films with a similar visual profile

Dheepan (2015)
92% match · 433 frames
Burn After Reading (2008)
92% match · 350 frames
About Time (2013)
92% match · 452 frames
The King of Staten Island (2020)
90% match · 495 frames
To All the Boys: Always and Forever (2021)
89% match · 493 frames
The Hangover (2009)
89% match · 354 frames
Chinjeolhan Geumjassi (2005)
88% match · 506 frames
Prey for the Devil (2021)
88% match · 373 frames
Men in Black II (2002)
88% match · 486 frames
Transformers: Revenge of the Fallen (2009)
87% match · 976 frames
Layer Cake (2004)
87% match · 414 frames
964 Pinocchio (1991)
86% match · 700 frames

About this collection

Metrics on this page are calculated from 161 frames available for Busanhaeng in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.