Angst essen Seele auf cinematography — film frames and visual analysis

1974 · 176 frames · Directed by Rainer Werner Fassbinder

Explore 176 frames from Angst essen Seele auf and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

176 frames 1.37:1 Mostly wide shots
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Medium shot frame from Angst essen Seele auf — sitting, room, shirt
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Medium shot · Medium brightness · Dark orange
Medium shot frame from Angst essen Seele auf — standing, dialogue, kitchen
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Medium shot · Medium brightness · Dark orange
Medium shot frame from Angst essen Seele auf — standing, face, hair
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Medium shot · High brightness · Dark green
Medium shot frame from Angst essen Seele auf — standing, kitchen, hand
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Medium shot · Medium brightness · Gray
Medium shot frame from Angst essen Seele auf — sitting, room, television
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Medium shot · Medium brightness · Dark orange
Medium shot frame from Angst essen Seele auf — standing, room, face
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Medium shot · Medium brightness · Dark green
Medium shot frame from Angst essen Seele auf — face, hair, person
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Medium shot · Medium brightness · Gray
Medium shot frame from Angst essen Seele auf — standing, room, hair
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Medium shot · Medium brightness · Dark teal
Medium shot frame from Angst essen Seele auf — standing, kitchen, hand
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Medium shot · Medium brightness · Gray

Visual profile of Angst essen Seele auf

This visual profile is calculated from 176 frames available in the WatchTheFrame collection.

Color palette of Angst essen Seele auf

Gray 23.4% · 157 frames Dark orange 22.2% · 151 frames Dark gray 11.9% · 128 frames Muted orange 11.1% · 100 frames Dark green 9.7% · 94 frames Dark yellow 9.4% · 90 frames Dark teal 4.3% · 54 frames Light gray 2.2% · 51 frames Muted yellow 1.4% · 37 frames Black 1.2% · 18 frames Orange 1% · 41 frames Muted teal 0.7% · 15 frames Dark blue 0.4% · 13 frames Dark red 0.3% · 16 frames

Lighting and tonal range

Brightness: higher than 63% of films in the collection
DarkBright
Contrast: higher than 65% of films in the collection
LowHigh
  • Saturated colors appear frequently in these frames.

Composition and shot characteristics

Wide shot — 86% — 152 frames152Medium shot — 5% — 9 frames9

Explore the visual relationships

Before Midnight (2013)
96% color similarity Eighth Grade (2018)
93% color similarity Es ist nicht leicht, ein Gott zu sein (1989)
92% color similarity Kak menya zovut (2014)
92% color similarity The Fault in Our Stars (2014)
91% color similarity Sin nombre (2009)
91% color similarity Blazing Saddles (1974)
90% color similarity Mad Max: Fury Road (2015)
90% color similarity 21 Jump Street (2012)
89% color similarity A Nightmare on Elm Street Part 2: Freddy's Revenge (1985)
89% color similarity Forgetting Sarah Marshall (2008)
89% color similarity Lucky Number Slevin (2005)
88% color similarity The King of Staten Island (2020)
88% color similarity Lethal Weapon (1987)
87% color similarity Butch Cassidy and the Sundance Kid (1969)
87% color similarity

Visual tags in Angst essen Seele auf

ring saucer beer coffee cup bracelet watch convenience store bowl bottle cabinetry drinking straw desk picture frame houseplant newspaper stairs fancy dress kitchen curtain dress cup umbrella food flower

Films with a similar visual profile

Es ist nicht leicht, ein Gott zu sein (1989)
95% match · 521 frames
Eighth Grade (2018)
94% match · 223 frames
The Fault in Our Stars (2014)
94% match · 592 frames
Kak menya zovut (2014)
94% match · 363 frames
A Nightmare on Elm Street Part 2: Freddy's Revenge (1985)
93% match · 391 frames
Sin nombre (2009)
93% match · 727 frames
Before Midnight (2013)
93% match · 226 frames
Butch Cassidy and the Sundance Kid (1969)
92% match · 394 frames
Lucky Number Slevin (2005)
92% match · 468 frames
The King of Staten Island (2020)
92% match · 495 frames
21 Jump Street (2012)
92% match · 559 frames
Mad Max: Fury Road (2015)
92% match · 946 frames

About this collection

Metrics on this page are calculated from 176 frames available for Angst essen Seele auf in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.