127 Hours cinematography — film frames and visual analysis

2010 · 481 frames · Directed by Danny Boyle

Explore 481 frames from 127 Hours and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

481 frames 1.85:1 Mostly wide shots
Medium shot frame from 127 Hours — hat, hand, face
Medium shot · Medium brightness · Dark red
Wide shot frame from 127 Hours — standing, hat, shirt
Wide shot · High brightness · Orange
Wide shot frame from 127 Hours — walking, hat, shirt
Wide shot · High brightness · Orange
Frame from 127 Hours — standing, hat, shirt
High brightness · Orange
Wide shot frame from 127 Hours — walking, person, footwear
Wide shot · Medium brightness · Dark orange
Close-up frame from 127 Hours — standing, hat, shirt
Close-up · Medium brightness · Black
Wide shot frame from 127 Hours — beard, face, hair
Wide shot · High brightness · Orange
Medium shot frame from 127 Hours — face, hair, person
Medium shot · Medium brightness · Black
Wide shot frame from 127 Hours — hat, shirt, water
Wide shot · Medium brightness · Dark orange
Wide shot frame from 127 Hours — walking, sock, person
Wide shot · High brightness · Yellow
Medium shot frame from 127 Hours — room, beard, mustache
Medium shot · Low brightness · Dark pink
Wide shot frame from 127 Hours — animal
Wide shot · High brightness · Orange
Medium shot frame from 127 Hours — standing, hat, face
Medium shot · High brightness · Light yellow
Wide shot frame from 127 Hours — standing, dialogue, hat
Wide shot · Medium brightness · Muted orange
Wide shot frame from 127 Hours — hand, water, bottle
Wide shot · High brightness · Dark teal
Wide shot frame from 127 Hours — standing, hat, beard
Wide shot · Medium brightness · Dark orange
Wide shot frame from 127 Hours — animal, hat, face
Wide shot · High brightness · Yellow
Wide shot frame from 127 Hours — standing, hat, shirt
Wide shot · High brightness · Light yellow

Visual profile of 127 Hours

This visual profile is calculated from 481 frames available in the WatchTheFrame collection.

Lighting and tonal range

Brightness: higher than 97% of films in the collection
DarkBright
Contrast: higher than 84% of films in the collection
LowHigh
  • The analysed frames are brighter than most films in the WatchTheFrame collection.
  • Saturated colors appear frequently in these frames.
  • These frames contain a relatively high share of high-contrast images.

About this collection

Metrics on this page are calculated from 481 frames available for 127 Hours in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.