The Hunt for Red October cinematography — film frames and visual analysis

1990 · 676 frames · Directed by John McTiernan

Explore 676 frames from The Hunt for Red October and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

676 frames 2.35:1 Mostly wide shots
Wide shot frame from The Hunt for Red October — standing, room, uniform
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — room, phone
Wide shot · Low brightness · Black
Wide shot frame from The Hunt for Red October — standing, room, person
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — standing, room, bag
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — standing, room, face
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — sitting, standing, room
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — standing, hat, suit
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — room, dialogue, phone
Wide shot · Low brightness · Dark orange
Wide shot frame from The Hunt for Red October — room, phone, uniform
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — hand, person
Wide shot · Low brightness · Dark blue
Frame from The Hunt for Red October — poster
Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — room, suit, gun
Wide shot · Low brightness · Dark blue
Wide shot frame from The Hunt for Red October — dialogue, phone, uniform
Wide shot · Low brightness · Dark blue

Visual profile of The Hunt for Red October

This visual profile is calculated from 676 frames available in the WatchTheFrame collection.

Lighting and tonal range

Brightness: lower than 99% of films in the collection
DarkBright
Contrast: lower than 96% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.
  • Muted and low-saturation colors appear frequently in these frames.
  • These frames contain a relatively high share of low-contrast images.

About this collection

Metrics on this page are calculated from 676 frames available for The Hunt for Red October in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.