Jurassic Park cinematography — film frames and visual analysis

1993 · 885 frames · Directed by Steven Spielberg

Explore 885 frames from Jurassic Park and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

885 frames 1.85:1 Mostly wide shots
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Wide shot frame from Jurassic Park — standing, kitchen, person
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Wide shot · Medium brightness · Black
Wide shot frame from Jurassic Park — standing, room, hair
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Wide shot · Low brightness · Dark blue
Wide shot frame from Jurassic Park — walking, dialogue, hat
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Wide shot · Medium brightness · Gray
Wide shot frame from Jurassic Park — standing, room, dialogue
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Wide shot · Low brightness · Dark blue
Wide shot frame from Jurassic Park — standing, room, dialogue
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Wide shot · Medium brightness · Dark blue
Frame from Jurassic Park — hat, shirt, person
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Medium brightness · Dark orange
Wide shot frame from Jurassic Park — night, forest, street light
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Wide shot · Low brightness · Dark teal
Wide shot frame from Jurassic Park — standing, shirt, face
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Wide shot · Low brightness · Black
Wide shot frame from Jurassic Park — plate, street, car
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Wide shot · Medium brightness · Dark orange
Wide shot frame from Jurassic Park — sitting, phone, shirt
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Wide shot · Medium brightness · Dark blue

Visual profile of Jurassic Park

This visual profile is calculated from 885 frames available in the WatchTheFrame collection.

Color palette of Jurassic Park

Dark orange 19.5% · 596 frames Muted orange 13.9% · 596 frames Black 11.5% · 440 frames Dark gray 8.9% · 434 frames Dark red 8.8% · 442 frames Dark blue 7.5% · 210 frames Dark yellow 7.4% · 227 frames Gray 5.4% · 382 frames Muted red 3.9% · 308 frames Dark green 2.5% · 147 frames Orange 2.5% · 208 frames Dark teal 1.5% · 80 frames Muted yellow 1.3% · 134 frames Light orange 1.1% · 95 frames

Lighting and tonal range

Brightness: higher than 60% of films in the collection
DarkBright
Contrast: lower than 51% of films in the collection
LowHigh

Composition and shot characteristics

Wide shot — 77% — 682 frames682Medium shot — 5% — 43 frames43Close-up — 0% — 2 frames2

Explore the visual relationships

A Series of Unfortunate Events (2004)
95% color similarity 21 Jump Street (2012)
93% color similarity Butch Cassidy and the Sundance Kid (1969)
92% color similarity The Conjuring (2013)
92% color similarity Anaconda (1997)
91% color similarity Water for Elephants (2011)
91% color similarity Horrible Bosses (2011)
90% color similarity The Rocketeer (1991)
90% color similarity Unforgiven (1992)
89% color similarity The Fault in Our Stars (2014)
89% color similarity Menace II Society (1993)
89% color similarity Jack the Giant Slayer (2013)
88% color similarity Es ist nicht leicht, ein Gott zu sein (1989)
88% color similarity Lethal Weapon (1987)
87% color similarity Mad Max: Fury Road (2015)
85% color similarity

Visual palette across 2 films directed by Steven Spielberg

2021 · West Side Story

Films directed by Steven Spielberg

West Side Story
802 frames
Explore Steven Spielberg visual profile

Visual tags in Jurassic Park

dinosaur sun hat traffic sign palm tree computer monitor helicopter insect shorts elephant animal countertop rain glasses forest television handbag stairs land vehicle shirt drinking straw car tire hat kitchen bird

Films with a similar visual profile

Butch Cassidy and the Sundance Kid (1969)
95% match · 394 frames
The Rocketeer (1991)
94% match · 658 frames
A Series of Unfortunate Events (2004)
94% match · 421 frames
Anaconda (1997)
94% match · 510 frames
Water for Elephants (2011)
93% match · 488 frames
The Conjuring (2013)
92% match · 531 frames
The Fault in Our Stars (2014)
92% match · 592 frames
21 Jump Street (2012)
92% match · 559 frames
Unforgiven (1992)
92% match · 556 frames
Es ist nicht leicht, ein Gott zu sein (1989)
92% match · 521 frames
Horrible Bosses (2011)
91% match · 427 frames
Lethal Weapon (1987)
91% match · 766 frames

About this collection

Metrics on this page are calculated from 885 frames available for Jurassic Park in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.