First Blood cinematography — film frames and visual analysis

1982 · 483 frames · Directed by Ted Kotcheff

Explore 483 frames from First Blood and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

483 frames 2.35:1 Mostly wide shots
Wide shot frame from First Blood — street, car, wheel
Wide shot · Medium brightness · Red
Wide shot frame from First Blood — walking, shirt, water
Wide shot · Medium brightness · Black
Wide shot frame from First Blood — human face, running
Wide shot · Medium brightness · Dark green
Wide shot frame from First Blood — street, car, wheel
Wide shot · Low brightness · Dark teal
Wide shot frame from First Blood — street, wheel, person
Wide shot · Medium brightness · Dark gray
Wide shot frame from First Blood — walking, shirt, forest
Wide shot · Low brightness · Dark green
Wide shot frame from First Blood — standing, hat, forest
Wide shot · Low brightness · Dark teal
Wide shot frame from First Blood — street, car, truck
Wide shot · Medium brightness · Dark teal
Wide shot frame from First Blood — standing, face, person
Wide shot · Low brightness · Dark green
Wide shot frame from First Blood — chair, lamp, clock
Wide shot · Medium brightness · Dark gray
Wide shot frame from First Blood — forest, running
Wide shot · Low brightness · Dark green
Wide shot frame from First Blood — forest
Wide shot · Low brightness · Dark teal
Wide shot frame from First Blood — standing, forest, person
Wide shot · Medium brightness · Dark gray
Wide shot frame from First Blood — street, car, wheel
Wide shot · Low brightness · Dark teal
Wide shot frame from First Blood — sitting, standing, walking
Wide shot · Low brightness · Dark green
Wide shot frame from First Blood — standing, room, hat
Wide shot · Low brightness · Dark teal
Wide shot frame from First Blood — street, car, forest
Wide shot · Low brightness · Dark teal
Wide shot frame from First Blood — standing, uniform, coat
Wide shot · Medium brightness · Dark gray
Wide shot frame from First Blood — street, car, night
Wide shot · High brightness · Light yellow
Wide shot frame from First Blood — standing, office, lamp
Wide shot · Medium brightness · Black

Visual profile of First Blood

This visual profile is calculated from 483 frames available in the WatchTheFrame collection.

Lighting and tonal range

Brightness: lower than 76% of films in the collection
DarkBright
Contrast: lower than 57% of films in the collection
LowHigh
  • The analysed frames are darker than most films in the WatchTheFrame collection.

About this collection

Metrics on this page are calculated from 483 frames available for First Blood in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.