Fanny och Alexander cinematography — film frames and visual analysis

1982 · 459 frames · Directed by Ingmar Bergman

Explore 459 frames from Fanny och Alexander and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

459 frames 1.66:1 Mostly wide shots
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Wide shot frame from Fanny och Alexander — standing, room, table
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Wide shot · Low brightness · Dark red
Wide shot frame from Fanny och Alexander — standing, room, table
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Wide shot · Medium brightness · Dark red
Wide shot frame from Fanny och Alexander — sitting, standing, table
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Wide shot · High brightness · Gray
Wide shot frame from Fanny och Alexander — sitting, standing, room
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Wide shot · Medium brightness · Gray
Wide shot frame from Fanny och Alexander — room, bed, mirror
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Wide shot · Medium brightness · Dark orange
Wide shot frame from Fanny och Alexander — sitting, person, human face
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Wide shot · Low brightness · Dark red
Frame from Fanny och Alexander — street, house, clock
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High brightness · Gray
Wide shot frame from Fanny och Alexander — standing, walking, room
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Wide shot · High brightness · Muted orange
Wide shot frame from Fanny och Alexander — sitting, room, table
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Wide shot · Medium brightness · Dark orange
Wide shot frame from Fanny och Alexander — room, suit, tie
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Wide shot · Medium brightness · Dark orange

Visual profile of Fanny och Alexander

This visual profile is calculated from 459 frames available in the WatchTheFrame collection.

Color palette of Fanny och Alexander

Dark orange 26% · 407 frames Dark red 24.1% · 390 frames Gray 15% · 308 frames Muted orange 7.8% · 287 frames Dark gray 6.7% · 182 frames Black 3% · 65 frames Light gray 2.7% · 103 frames Muted blue 2.5% · 73 frames Dark yellow 2.4% · 91 frames Muted red 2.1% · 126 frames Dark blue 1.3% · 33 frames Dark green 1.2% · 41 frames Dark pink 1% · 25 frames Dark teal 0.6% · 7 frames

Lighting and tonal range

Brightness: higher than 58% of films in the collection
DarkBright
Contrast: higher than 56% of films in the collection
LowHigh
  • Saturated colors appear frequently in these frames.

Composition and shot characteristics

Wide shot — 86% — 396 frames396Medium shot — 6% — 29 frames29Close-up — 0% — 1 frames1

Explore the visual relationships

Meet Joe Black (1998)
96% color similarity The Last Emperor (1987)
96% color similarity Practical Magic (1998)
94% color similarity Hotel Rwanda (2004)
93% color similarity Rocketman (2019)
93% color similarity No Strings Attached (2010)
91% color similarity Todo sobre mi madre (1999)
90% color similarity 21 Jump Street (2012)
90% color similarity Menace II Society (1993)
89% color similarity Dodgeball: A True Underdog Story (2004)
89% color similarity Water for Elephants (2011)
88% color similarity Horrible Bosses (2011)
87% color similarity Strictly Ballroom (1992)
87% color similarity Forgetting Sarah Marshall (2008)
87% color similarity Butch Cassidy and the Sundance Kid (1969)
84% color similarity

Visual tags in Fanny och Alexander

rose christmas tree candle cake flower human beard curtain houseplant chest of drawers cart kiss tableware fancy dress dress picture frame flowerpot chair table bedroom mustache mirror beard clock cat

Films with a similar visual profile

The Last Emperor (1987)
94% match · 607 frames
Rocketman (2019)
94% match · 560 frames
No Strings Attached (2010)
94% match · 392 frames
Practical Magic (1998)
93% match · 688 frames
Strictly Ballroom (1992)
92% match · 489 frames
Meet Joe Black (1998)
92% match · 352 frames
Water for Elephants (2011)
91% match · 488 frames
Todo sobre mi madre (1999)
91% match · 284 frames
Menace II Society (1993)
91% match · 537 frames
Forgetting Sarah Marshall (2008)
91% match · 610 frames
Hotel Rwanda (2004)
91% match · 726 frames
Horrible Bosses (2011)
91% match · 427 frames

About this collection

Metrics on this page are calculated from 459 frames available for Fanny och Alexander in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.