964 Pinocchio cinematography — film frames and visual analysis

1991 · 700 frames · Directed by Shozin Fukui

Explore 700 frames from 964 Pinocchio and study the film’s composition, color palette, lighting, shot scale and aspect ratio. Open any frame to use composition guides, color analysis and false color tools.

700 frames 1.38:1 Mostly wide shots
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Wide shot frame from 964 Pinocchio — standing, street, person
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Wide shot · Medium brightness · Dark green
Frame from 964 Pinocchio — street, face, bag
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Medium brightness · Dark green
Frame from 964 Pinocchio — standing, street, suit
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Medium brightness · Gray
Wide shot frame from 964 Pinocchio — walking, street, suit
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Wide shot · Medium brightness · Dark gray
Wide shot frame from 964 Pinocchio — book, room, person
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Wide shot · Medium brightness · Dark green
Wide shot frame from 964 Pinocchio — walking, tower, person
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Wide shot · High brightness · Dark gray
Wide shot frame from 964 Pinocchio — walking, street, suit
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Wide shot · Medium brightness · Dark gray
Frame from 964 Pinocchio — hand, tower, person
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High brightness · Light green
Wide shot frame from 964 Pinocchio — standing, walking, street
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Wide shot · Medium brightness · Dark gray
Close-up frame from 964 Pinocchio — street, face, hair
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Close-up · Medium brightness · Dark green
Wide shot frame from 964 Pinocchio — glass, building
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Wide shot · Medium brightness · Dark green
Wide shot frame from 964 Pinocchio — street, house
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Wide shot · Medium brightness · Dark gray
Wide shot frame from 964 Pinocchio — walking, street, hair
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Wide shot · Medium brightness · Dark teal

Visual profile of 964 Pinocchio

This visual profile is calculated from 700 frames available in the WatchTheFrame collection.

Color palette of 964 Pinocchio

Dark green 21.4% · 420 frames Gray 15.2% · 513 frames Dark gray 13.4% · 399 frames Muted green 9.2% · 274 frames Dark teal 7.1% · 221 frames Dark blue 5.5% · 199 frames Dark yellow 5.4% · 231 frames Black 3.6% · 194 frames Muted blue 3% · 176 frames Muted teal 3% · 153 frames Muted yellow 2.1% · 84 frames Dark orange 1.8% · 140 frames Light blue 1.8% · 131 frames Dark red 1.4% · 128 frames

Lighting and tonal range

Brightness: higher than 74% of films in the collection
DarkBright
Contrast: higher than 84% of films in the collection
LowHigh
  • These frames contain a relatively high share of high-contrast images.

Composition and shot characteristics

Wide shot — 71% — 494 frames494Medium shot — 4% — 27 frames27Close-up — 1% — 8 frames8

Explore the visual relationships

Happy Gilmore (1996)
93% color similarity The Maze Runner (2014)
93% color similarity The Secret Garden (2020)
92% color similarity A Cure for Wellness (2017)
89% color similarity Lahn Mah (2024)
89% color similarity Children of Men (2006)
87% color similarity The King of Staten Island (2020)
87% color similarity The Age of Adaline (2015)
85% color similarity The Lone Ranger (2013)
83% color similarity Noche de Fuego (2021)
81% color similarity Robin Hood: Prince of Thieves (1991)
80% color similarity Lucky Number Slevin (2005)
80% color similarity Burn After Reading (2008)
79% color similarity The Founder (2016)
78% color similarity Busanhaeng (2016)
76% color similarity

Visual tags in 964 Pinocchio

convenience store human ear human mouth tower statue sculpture human nose skyscraper human eye footwear knife walking trousers cat crying animal bag building running street bicycle food bird umbrella human hand

Films with a similar visual profile

Lahn Mah (2024)
94% match · 259 frames
Happy Gilmore (1996)
93% match · 618 frames
The King of Staten Island (2020)
92% match · 495 frames
A Cure for Wellness (2017)
91% match · 529 frames
Children of Men (2006)
89% match · 508 frames
Noche de Fuego (2021)
89% match · 430 frames
Lucky Number Slevin (2005)
88% match · 468 frames
The Secret Garden (2020)
87% match · 551 frames
Robin Hood: Prince of Thieves (1991)
87% match · 586 frames
The Maze Runner (2014)
87% match · 531 frames
The Age of Adaline (2015)
87% match · 422 frames
Busanhaeng (2016)
86% match · 161 frames

About this collection

Metrics on this page are calculated from 700 frames available for 964 Pinocchio in the WatchTheFrame collection. They describe the analysed frames, not the film as a whole.